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Doctoral Thesis
DOI
https://doi.org/10.11606/T.93.2021.tde-02082021-160333
Document
Author
Full name
Jonathan Gurgel de Lima
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2021
Supervisor
Committee
Aranha, Carmen Sylvia Guimaraes (President)
Castro, Eliane Dias de
Cury, Marília Xavier
Martins, Mirian Celeste Ferreira Dias
Mattar, Sumaya
Schwarcz, Lilia Katri Moritz
Title in Portuguese
Artesãos-Artistas contemporâneos: D. Izabel Mendes da Cunha e o legado aos mestres ceramistas de Santana do Araçuaí (MG)
Keywords in Portuguese
Arte contemporânea
Artesanato brasileiro
Artesãos-artistas
Cerâmica
Izabel Mendes da Cunha
Abstract in Portuguese
A pesquisa dedica-se ao estudo das contribuições da artista ceramista D. Izabel Mendes da Cunha (1924-2014) para a arte contemporânea brasileira. Estão contemplados os aspectos formais que diferenciam suas obras e os impactos de sua atuação como mestra de artesãos-artistas em Santana do Araçuaí, no Vale do Jequitinhonha (MG). São demonstradas as etapas de construção de uma boneca de cerâmica, peça desenvolvida por D. Izabel, com registros fotográficos e entrevistas com seus antigos aprendizes. Nesse processo de investigação sobre a obra e o legado de D. Izabel, percebe-se a existência de questões socioculturais que limitam oreconhecimento de seu trabalho pelas instituições legitimadoras da artecontemporânea. Assim, surge a necessidade de situar o percurso histórico dastécnicas artesanais no país e, sobretudo, discutir o lugar ocupado pelas produçõesartísticas de artesãos a partir do século XX.
Title in English
Contemporary Artisan-Artists: D. Izabel Mendes da Cunha and the legacy left to the ceramic masters of Santana do Araçuaí (MG)
Keywords in English
Artisan-artists
Brazilian handicraft
Ceramic
Contemporary art
Izabel Mendes da Cunha
Abstract in English
The research is dedicated to the study of the contributions of ceramic artist D. Izabel Mendes da Cunha (1924-2014) to Brazilian contemporary art. The formal aspects that differentiate her production and the impacts of her work as a master of artisan-artists in Santana do Araçuaí, in the Jequitinhonha Valley (MG), are contemplated. The stages of construction of a ceramic doll, a piece developed by D. Izabel, are shown with photographic records and interviews with his former apprentices. In this investigation process about D. Izabel's work and legacy, it is possible to perceive the existence of socio-cultural issues that limit the recognition of her work by the institutions that legitimize contemporary art. Thus, the need arises to situate the historical trajectory of artisanal techniques in the country and, above all, to discuss the place occupied by the artistic productions of artisans since the twentieth century.
 
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Publishing Date
2021-08-02
 
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