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Master's Dissertation
DOI
https://doi.org/10.11606/D.8.2022.tde-24102022-200030
Document
Author
Full name
Diego Corrêa de Araujo
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2022
Supervisor
Committee
Meihy, Jose Carlos Sebe Bom (President)
Magnani, Jose Guilherme Cantor
Nunes, Sandra Regina Chaves
Roque, Zuleika Stefania Sabino
Title in Portuguese
A experiência nordestina no contexto paulistano: o pé-de-serra
Keywords in Portuguese
Experiência nordestina
Forró
História de vida
História oral
Pé-de-serra
Abstract in Portuguese
A presente pesquisa tem como objetivo documentar e analisar o movimento de forró na cidade de São Paulo sob o ponto de vista de músicos e musicistas migrantes nordestinos e nordestinas. Foi utilizada a história oral como base teórica e procedimental. O trabalho teve como base três redes de colaboradores: músicos, musicistas e produtores. Por meio das entrevistas de história de vida, corpus documental desse estudo, discutiram-se questões de gênero, geração, classe social e preconceito. O diálogo entre as narrativas revelou aproximações e distanciamentos entre as redes. As concepções sobre o forró pé-de-serra e o universitário, a presença dos jovens no forró, a diferença entre músicos e musicistas no movimento, e os antigos bailes híbridos, são os principais assuntos discutidos nessa pesquisa.
Title in English
The Brazilian northeastern experience of the musical style "forró pé-de-serra" in São Paulo
Keywords in English
Forró
Life history
Northeasterner experience
Oral history
Pé-de-serra
Abstract in English
This research aims to document and analyze the São Paulo scene of the musical genre called "Forró" from the point of view of Brazilian northeastern migrant musicians, women and men. Oral history was used as a theoretical and as a procedural basis. The collaboration was based on three networks: male musicians, female musicians and producers. Through life history interviews, physical documentation of this study, issues such as gender, age discrimination, social class and prejudice were discussed. The dialogue between the narratives revealed similarities and differences between the networks. The concepts concerning the musical styles called "pé-de-serra forró" and "university forró", the presence of young people involved in forro music, gender issues, and old hybrid dances are the main subjects discussed in this research.
 
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Publishing Date
2022-10-24
 
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