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Master's Dissertation
DOI
10.11606/D.8.2013.tde-05062013-131315
Document
Author
Full name
Paola Fernandes Zamboni
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Vassina, Elena Nikolaevna (President)
Americo, Ekaterina Volkova
Lima, Neide Jallageas de
Title in Portuguese
Mascarada, Uma Jornada Fascinante da Peça de Liérmontov Aos Palcos De Meyerhold
Keywords in Portuguese
Cultura russa
Literatura russa
Mikhail Liérmontov
Teatro russo
Vsévolod Meyerhold
Abstract in Portuguese
Mikhail Yurevitch Liermontov (18141841) viveu em período marcado por grande comoção social, uma época de transição na vida e na sociedade Russa. Foi nesse contexto que Liérmontov escreveu a peça Mascarada, uma crítica à sociedade e aos hábitos fúteis e mesquinhos de sua época. Vsévolod Emilevitch Meyerhold (1874 1940) estreou a sua Mascarada em 25 de fevereiro de 1917 em meio a revolução que viria a derrubar a monarquia e a velha Rússia. Depois quase seis anos e ensaios e preparações, figurinos, objetos de cena e cenários criados especialmente para a peça estavam prontos para o que viria ser ao mesmo tempo o fim de uma era e o nascimento de um novo teatro. A presente dissertação se propõe a analisar Mascarada desde a sua gênese no romantismo de Liérmontov até a espetacular montagem de 1917 e seus desdobramentos no teatro.
Title in English
Masquerade, A Fascinating Journey From Lermontovs Play to the Stages of Meyerhold
Keywords in English
Mikhail Lermontov
Russian culture
Russian literature
Russian theatre
Vsevolod Meyerhold
Abstract in English
Mikhail Yurevitch Lermontov (1814-1841) lived in a period marked by great social upheaval, a time of transition in life and in Russian society. It was within this context that Lermontov wrote the play Masquerade, a critique of society and the petty and trivial habits of his time. Vsevolod Emilevitch Meyerhold (1874-1940) premiered his Masquerade on February 25, 1917 in the midst of a revolution that would overthrow the monarchy and transform the old Russia. After almost six years of preparations and rehearsals, the costumes, props and scenery created especially for the piece were ready for what would be both the end of an era and the birth of a new kind of theatre. This dissertation aims to analyze the Masquerade from its genesis in the romanticism of Lermontov to the spectacular production of 1917 and its effect on theatre.
 
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Publishing Date
2013-06-05
 
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