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Master's Dissertation
DOI
10.11606/D.8.2015.tde-26052015-120746
Document
Author
Full name
Nathália Grossio de Oliveira
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Andrade, Fabio Rigatto de Souza (President)
Almeida, Jorge Mattos Brito de
Souza, Ana Helena Barbosa Bezerra de
Title in Portuguese
A experiência trágica do "eu" n'O inominável, de Samuel Beckett: da relação entre morte, não-saber e a necessidade de continuar
Keywords in Portuguese
O inominável
Romance moderno
Samuel Beckett
Teoria e crítica da narrativa
Trágico
Abstract in Portuguese
Partindo do exame dos pressupostos do realismo formal no romance, a dissertação pretende demonstrar como a desconfiança do narrador beckettiano quanto aos fundamentos que sustentam a voz em primeira pessoa e a estrutura ficcional do romance, observada desde Molloy e Malone Morre, dá lugar ao exame dos fundamentos relacionados à constituição da própria noção de subjetividade e desdobra-se em reflexões de natureza linguística em O inominável. Momento em que a hipótese de que é na linguagem e pela linguagem que o homem se constitui como sujeito, formulada pelo linguista Émile Benveniste, será desenvolvida considerando a dimensão trágica da experiência do eu. Com efeito, parte da tarefa da desta dissertação consiste em demonstrar a pertinência do trágico em O inominável, com o propósito de aprofundar a discussão teórica sobre a narrativa do século XX.
Title in English
The tragic experience of the "I" in The Unnamable, by Samuel Beckett: death, not knowing and the need of going on
Keywords in English
Modern romance
Samuel Beckett
The Unnamable
Theory and criticism of the narrative
Tragic
Abstract in English
From an examination of the formal assumptions realism in the novel, the dissertation aims to demonstrate how distrust of Becketts narrator at the grounds that support the voice in first person and the fictional structure of the novel, observed since Molloy and Malone Dies, giving rise to the investigation of the grounds related to the constitution of the notion of subjectivity and unfolds in linguistic nature reflections in The Unnamable. Moment when the hypothesis that it is in the language and by the language that humans is constituted as subject, formulated by the linguist Émile Benveniste, will be developed based on the tragic dimension of the experience of "I". Indeed, part of the task of this dissertation is to demonstrate the relevance of the tragic dimension in The Unnamable, in order to deepen the theoretical discussion of the twentieth centurys narrative.
 
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Publishing Date
2015-05-26
 
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