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Doctoral Thesis
DOI
10.11606/T.8.2009.tde-19112009-154034
Document
Author
Full name
Cláudia Maria de Vasconcellos
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Andrade, Fabio Rigatto de Souza (President)
Almeida, Jorge Mattos Brito de
Betti, Maria Silvia
Ramos, Luiz Fernando
Souza, Ana Helena Barbosa Bezerra de
Title in Portuguese
Figuras infernais no teatro de Samuel Beckett
Keywords in Portuguese
Beckett
Coatividade
Escher
Figuras
Teatro
Abstract in Portuguese
A tese analisa as cinco primeiras peças teatrais de Beckett - Esperando Godot, Fim de Partida, A Última Fita de Krapp, Dias Felizes e Peça e procura identificar seus procedimentos formais básicos, chamados de figuras infernais. Na esteira de Adorno, o estudo da forma aqui realizado encontra na obra de Beckett uma reflexão das configurações sociais e do estado paradoxal da arte dentro deste quadro. As figuras infernais circularidade, confinamento, paradoxo, inconcludência, intermitência, dissimulação e coatividade erigemse também como instrumental crítico para a compreensão do teatro subsecutivo de Beckett, bem como de outros gêneros explorados pelo autor.
Title in English
Hellish figures in Samuel Beckett's theater
Keywords in English
Beckett
Escher
Figures
Theater
Abstract in English
The thesis analyses the first five plays written by Beckett Waiting for Godot, Endgame, Krapps Last Tape, Happy Days and Play aiming to identify their fundamental formal procedures, which we call here hellish figures. Inspired by Adorno, our study of form finds in the work of Beckett a reflection about the social configuration and the paradoxal state of the Arts during his time. The hellish figures circularity, confinement, paradox, inconclusiveness, interminttence, dissimulation and enforcement can be used as a critical tool to understand Becketts other plays and writings.
 
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Publishing Date
2009-12-09
 
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