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Master's Dissertation
DOI
10.11606/D.8.2012.tde-06112012-114750
Document
Author
Full name
Valteir Benedito Vaz
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2012
Supervisor
Committee
Bernardini, Aurora Fornoni (President)
Iannace, Ricardo
Nascimento, José Marinho do
Title in Portuguese
"Conversa de bois", de João Guimarães Rosa: uma leitura à luz poética do próprio autor
Keywords in Portuguese
Conversa de bois
Formalismo russo
Guimarães Rosa
Harriet de Onís
Poética rosiana
Sagarana
Abstract in Portuguese
O objetivo deste trabalho, num primeiro momento, foi extrair das 65 cartas que João Guimarães Rosa remeteu à sua tradutora para o inglês, Harriet de Onís, durante a tradução de Sagarana, as linhas gerais que configuram sua poética. Um breve panorama da gênese e da recepção deste livro, seguidos pelos comentários às mencionadas cartas, abriu nossa pesquisa. Depois disso realizamos uma análise do conto Conversa de bois, oitava narrativa de Sagarana, enriquecida pelas declarações do escritor na referida correspondência em torno do seu processo de criação. Para complementar a análise e esclarecer certas questões relativas à técnica compositiva do autor não tratadas especificamente em sua poética, recorremos a alguns conceitos-chave de pensadores de diferentes tradições que, embora desenvolvidos em épocas distintas, encontram seu lugar nesse estudo do universo heteróclito criado por JGR. Uma atenção especial foi dada ao Formalismo Russo (Roman Jakobson (1896-1982), Viktor Chklóvski (1896- 1984), Iuri Tyniánov (1894-1943) e Ossip Brik (1888-1945)) cujos preceitos muitos deles em consonância com a poética rosiana foram uma referência válida para a metodologia de nossa análise.
Title in English
Conversa de Bois, by João Guimarães Rosa: a reading in the light of the authors poetics
Keywords in English
Conversa de bois
Guimarães Rosa
Harriet de Onís
Rosas poetics
Russian formalism
Sagarana
Abstract in English
The first, aim of this work was to draw the general lines that establish João Guimarães Rosas poetics from the 65 letters the author sent to his translator Harriet de Onís, during her English translation of Sagarana whose brief genetic and receptive panorama, together with Rosas epistolary remarks, open our research. After that, we performed an analysis of the short story Conversa de bois, Sagaranas eighth narrative, taking into consideration the mentioned writers informations about his creative process. To enlighten the analysis and clarify certain questions related to the author´s compositional technique, we made use of some key-concepts of thinkers from different traditions, which, in spite of belonging to different periods, found their place in this work about the heteroclite universe created by JGR. A special attention was given to Russian Formalism (Roman Jakobson (1896-1982), Viktor Chklóvski (1896-1984), Iuri Tyniánov (1894-1943) e Ossip Brik (1888-1945)) whose precepts many of them in consonance with Rosas poetics were a valid reference for the methodology of our analysis.
 
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Publishing Date
2012-11-06
 
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