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Master's Dissertation
DOI
10.11606/D.8.2015.tde-29092015-154229
Document
Author
Full name
Flávio Rodrigo Vieira Lopes Penteado Corrêa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Gagliardi, Caio Márcio Poletti Lui (President)
Catalão, Marco Aurelio Pinotti
Jacoto, Lilian
Title in Portuguese
O teatro da escrita em Fernando Pessoa
Keywords in Portuguese
Fernando Pessoa
Ficcionalidade
Literatura dramática
Processo de criação
Teoria do drama
Abstract in Portuguese
Este estudo propõe-se a ampliar a compreensão do conceito de drama na obra de Fernando Pessoa, para quem o elemento dramático constituiria o traço distintivo das grandes criações literárias, bem como um dos pilares da heteronímia. Um dos eixos centrais da dissertação consiste em repensar a equivalência das expressões poeta dramático e dramaturgo, constantemente empregadas pelo autor em referência a seu processo criativo. Sustenta-se que Pessoa terá relativizado as fronteiras entre essas categorias ao conceber pelo menos dois meios distintos de lidar com a forma dramática: por um lado, prevê a criação de um drama que se situe fora da esfera dramatúrgica propriamente dita, composto pela série de livros que daria origem às suas obras completas, abrangendo diversos gêneros literários e um único universo de relações; por outro lado, empenha-se na composição de dramas que, sendo dramas em sentido estrito, escapam às principais convenções do gênero, ao desestabilizarem categorias tradicionais como as de ação, diálogo, enredo e personagem.
Title in English
The theater of writing in Fernando Pessoa
Keywords in English
Dramatic literature
Fernando Pessoa
Fictionality
Process of creation
Theory of drama
Abstract in English
This study proposes to expand the comprehension of the concept of drama in the work of Fernando Pessoa, for whom the dramatic factor would determine traces of grand literary creations, as well as of the bases of heteronymy. One of the key intentions of this dissertation is to rethink the equivalence of both terms dramatic poet and dramatist, which were constantly used by the author to make reference to his own creative process. It is stated that Pessoa would have relativized the boundaries between those terms by conceiving at least two different ways of approaching the dramatic form: on the one hand he presupposes the creation of a drama that is situated outside the dramaturgic sphere per se, which would comprise the books, including many different literary genres and a single relation between different authors that were to be compiled in his complete works; on the other hand he engages himself in the composition of dramas, in a strict sense, that escape the common places of the genre by destabilizing traditional categories such as action, dialogue, plot and characters.
 
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Publishing Date
2015-09-29
 
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