Master's Dissertation
DOI
https://doi.org/10.11606/D.8.2006.tde-24082007-152926
Document
Author
Full name
Vivian Steinberg
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2006
Supervisor
Committee
Garcez, Maria Helena Nery (President)
Costa, Jose Horacio de Almeida Nascimento
Poma, Paola
Title in Portuguese
'No Poema': um paradigma da tessitura poética de Sophia de Mello Breyner Andresen
Keywords in Portuguese
Crise da linguagem
Metalinguagem
Poesia do século XX
Poesia moderna portuguesa
Sophia de Mello Breyner Andresen
Abstract in Portuguese
Este trabalho tem como objeto a investigação da poética de Sophia de Mello Breyner Andresen através da série No Poema, sétima parte do livro Geografia (1967). A poeta joga com a crosta terrestre e a crosta da linguagem. Notamos elementos comuns entre sua poética e a de seus pares, por exemplo: a poeta denuncia a morte dos deuses e a crise da linguagem, há o desaparecimento elocutório do sujeito, o silêncio está presente como elemento da criação, a poeta persegue o "ostinato rigore" que Paul Valéry retomou. A poesia de Sophia tem pontos coincidentes com a de Hölderlin, enquanto poeta que vê a linguagem como casa do ser, com a de João Cabral, o "ostinato rigore", o silêncio como elemento da criação poética e o desaparecimento do sujeito depois da criação, com a de Francis Ponge, o gosto pelo concreto, por nomear precisamente os objetos, com a de Paul Celan, a síntese, com a de Fernando Pessoa, o paradigma da tradição literária portuguesa moderna. Essa constatação se deu a partir da nossa leitura dos poemas selecionados para a análise.
Title in English
'No Poema': a paradigm of Sophia de Mello Breyner Andresen's poetry
Keywords in English
20th century poetry
Language crisis
Metalanguage
Portuguese modern poetry
Sophia de Mello Breyner Andresen
Abstract in English
This assignment aims the investigation over Sophia de Mello Breyner Andresen poetics throughout the series "No Poema", in the 7th part of the book entitled Geografia (1967). The poet plays up with the earthy and language crust. We observe common elements between her poetics and of her pairs. For instance: the poet reveals the Gods death as well as the language crisis. The subject has a discursive fading, being the silence present as the creative element. The poet chases the "ostinato rigore" that Paul Valéry had recaptured. Sophia's poetry has correspondent points with Hölderlin´s work while considering both poets: the language as the dwelling of a being. Similar to João Cabral is the "ostinato rigore", where silence is perceived as the poetic creative element and the fading of the subject occurs after its creation. Together with Francis Ponge, to entitle precisely the objects, lays the fondness of the concrete. The synthesis is with Paul Celan's, and finally the Portuguese literary tradition with Fernando Pessoa. This evidence has emerged from the perusal of the poems selected to this investigation.
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Publishing Date
2007-10-04