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Doctoral Thesis
DOI
10.11606/T.8.2006.tde-23082007-131724
Document
Author
Full name
Alex Beigui de Paiva Cavalcante
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2006
Supervisor
Committee
Faria, Joao Roberto Gomes de (President)
Costa Filho, José da
Quilici, Cassiano Sydow
Ramos, Luiz Fernando
Rosenbaum, Yudith
Title in Portuguese
Dramaturgia por outras vias: a apropriação como matriz estética do teatro contemporâneo - do texto literário à encenação
Keywords in Portuguese
Adaptação teatral
Dramaturgia
Estética (Arte)
Linguagem teatral
Teatro (Literatura)
Teatro contemporanea
Abstract in Portuguese
O presente trabalho procurou conciliar a reflexão teórica sobre o fenômeno da "apropriação" de textos literários para o palco, tomando como ponto de partida a leitura cênica dos seguintes textos da literatura brasileira: Um Sopro de Vida (1978) de Clarice Lispector e A Fúria do Corpo (1980) de João Gilberto Noll, ambos conduzidos à ribalta pelas encenadoras Nadja Turenko e Celina Sodré, respectivamente. Dentro da proposição teórico-prática, buscamos aprofundar, suplementar e, quando possível, substituir o conceito de "adaptação", terminologia que consideramos inadequada aos fenômenos teatrais aqui abordados. Fez parte do nosso propósito, desde o início da pesquisa, realizar a análise crítico-descritiva dos índices de teatralidade contida nos universo literário dos autores, bem como refletir acerca do posicionamento das leitoras-encenadoras frente às suas opções, escolhas e recortes diante dos extratos literários. Procuramos ainda, contribuir, a partir dos estudos sobre essas experiências para um melhor e mais abrangente conceito de "dramaturgia", assim como refletir sobre os limites e as fronteiras entre a linguagem literária e a linguagem cênica sem separá-las de antemão, mas percebendo-as em seus territórios verbal e visual, fusão altamente presente nos processos que partem dessa via, premissa e procedimento.
Title in English
The dramaturgy in other ways: the "appropriation" phenomenon of literary texts to the stage in the contemporary Brazilian theatre
Keywords in English
Contemporary theatre
Dramaturgy
Esthetic (Art)
Scenical language
Theatre (Literature)
Theatre adaptation
Abstract in English
The present work seeks to conciliate the theoric thought about the "appropriation" phenomenon of literary texts to the stage, starting with the scene reading of the following Brazilian literature texts: Um Sopro de Vida (1978) by Clarice Lispector and A Fúria do Corpo (1980), by João Gilberto Noll , both conducted to the performance by the play directors Nadja Turenko and Celina Sodré, respectivelly. In the practical-theoric proposition, we search to deepen, to suplement and whenever possible, to substitute the concept of "adaptation", term that we consider unsuitable to the theatre phenomena aproached here. It is part of our goal, since the begining of the research, to make a critical descriptive analysis of the theatrecality indicators contained in the authors' literary universe, as well as to ponder about the posture of the directors as readers in relation to their options and related to the literary extract. We also aim to contribute, from the studies about these experiences, to a better and broader concept of "dramaturgy", as well as to ponder on the limits and boundaries between the literary language and the scenical language without separating them at first place, but perceiving them in their verbal and visual territories, fusion highly present in the process that arises from this path, premise and procedure.
 
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Publishing Date
2007-10-02
 
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