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Mémoire de Maîtrise
DOI
https://doi.org/10.11606/D.8.2020.tde-06112020-165337
Document
Auteur
Nom complet
Marina Gialluca Domene
Adresse Mail
Unité de l'USP
Domain de Connaissance
Date de Soutenance
Editeur
São Paulo, 2020
Directeur
Jury
Faria, Joao Roberto Gomes de (Président)
Azevedo, Elizabeth Ferreira Cardoso Ribeiro
Corradin, Flavia Maria Ferraz Sampaio
Martins, Gilberto Figueiredo
Titre en portugais
O Diabo em Anchieta: a representação do diabólico no Brasil dos Quinhentos
Mots-clés en portugais
Diabo
José de Anchieta
Teatrocolonial
Teatromedieval
Teatroreligioso
Resumé en portugais
O presente trabalho pretende analisar a representação do Diabo no teatro do padre José de Anchieta. As peças Na festa de São Lourenço (1587), Na vila de Vitória (1586) e Na aldeia de Guaraparim (c. 1592), escolhidas para esta pesquisa, abarcam uma variedade de diferentes tipos diabólicos, que correspondem tanto ao imaginário europeu medieval - pautado pela religiosidade católica - quanto ao embate entre as culturas ibérica e ameríndia ocorrido nas colônias na América. Embora a catequese promovida pelos missionários jesuítas tenha sido parte do processo de aculturamento imposto sobre os nativos, procuraremos aqui compreender de que maneira os povos tupi, para quem as peças de Anchieta eram representadas, influenciaram ou contribuíram para a formação do Diabo em cena. Para tanto, será preciso compreender as realidades ibérica e colonial do século XVI, a formação do teatro quinhentista e a importância do Diabo no pensamento cristão do período. Desta forma, pretende-se discutir as características de cada um dos diabos presentes nas peças acima mencionadas.
Titre en anglais
The Devil in Anchieta: the representation of the diabolical in the 16th century Brazil
Mots-clés en anglais
Colonial drama
Devil
José de Anchieta
Medieval drama
Religious drama
Resumé en anglais
The present work intends to analyze the representation of the Devil in the drama written by the jesuit priest José de Anchieta. In the plays Na festa de São Lourenço (1587), Na vila de Vitória (1586) e Na aldeia de Guaraparim (c. 1592), chosen for this research, incorporate a variety of different diabolical types, which correspond to the medieval European imagery - determined by catholic religiosity - as well as the clash between Iberian and Amerindian cultures which took place in the American colonies. Although catechism, promoted by the jesuit missionaries, has been a part of the acculturation process enforced over the natives, we will try to comprehend in what ways the Tupi peoples, to whom Anchieta's plays were performed, have influenced or contributed to form the Devil on scene. Our starting points will be, therefore, comprehending the colonial and Iberian realities in the 16th century, the formation of 16th century drama and the importance of the Devil in the Christian thought of the period. Thus, we intend to discuss each devil's characteristics who is present in the aforementioned plays.
 
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Date de Publication
2020-11-06
 
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