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Master's Dissertation
DOI
10.11606/D.8.2008.tde-12032008-151513
Document
Author
Full name
Paula Parise Pinto
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2008
Supervisor
Committee
Wataghin, Lucia (President)
Dias, Mauricio Santana
Gobbi, Márcia Valéria Zamboni
Title in Portuguese
Sessanta Racconti: aspectos do Surrealismo em contos de Dino Buzzati.
Keywords in Portuguese
Dino Buzzati
Estética Surrealista
Literatura Italiana
Narrativa contemporânea
Sessanta Racconti
Abstract in Portuguese
A proposta desta dissertação é analisar em contos do livro Sessanta Racconti (1958) a relação entre a poética do autor e a estética surrealista. Através do exame de elementos surrealistas específicos (acaso objetivo, humor negro, sonho, maravilhoso e fantástico) utilizados por Buzzati na construção dos 16 contos selecionados, buscou-se identificar indícios de similaridade, transposição ou releitura de modo a aprofundar o conceito de surrealismo buzzatiano, diverso das demais manifestações surrealistas, mas ao mesmo tempo em diálogo com a estética vinculada a André Breton e seguidores. Desta forma, pretende-se colaborar para o preenchimento de lacunas ainda existentes nos estudos sobre o autor, auxiliando na construção de possíveis novas abordagens para análise e tradução da obra de Buzzati.
Title in English
Sessanta racconti: the surrealist aesthetics in Dino Buzzati's tales
Keywords in English
Contemporary fiction
Dino Buzzati
Italian Literature
Sessanta Racconti
Surrealist aesthetics
Abstract in English
The aim of the present dissertation was to study the tales in the book Sessanta Racconti (1958) to analyze the relation between author's style within the surrealist aesthetics. We tried to identify similarities, transposition or review, through the study of specific surrealistic elements (objective hazard, black humour, dream, marvelous and fantastic) that was used by Buzzati to create his 16 selected tales. Thus we intend to show a idea of the Buzzati´s surrealism, different of another surrealist manifestations, but at the same time in dialogue with the aesthetic model related to André Breton and his followers. Finally we intend to improve the author's researches, with suggestions for the development of new approaches to analysis and translations of Buzzati's works.
 
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Publishing Date
2008-06-12
 
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