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Master's Dissertation
DOI
10.11606/D.8.2015.tde-29062015-144640
Document
Author
Full name
Vania Pilar Chacon Espindola
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Vieira, Maria Augusta da Costa (President)
Hansen, Joao Adolfo
Ramírez, María Dolores Aybar
Title in Portuguese
A novela exemplar 'El coloquio de los perros' e os preceitos do gênero cômico
Keywords in Portuguese
Censura
Cervantes
Coloquio de los perros
Cômico
Riso
Abstract in Portuguese
Este trabalho tem o objetivo de estudar alguns aspectos do gênero cômico na novela exemplar El coloquio de los perros de Miguel de Cervantes. Com este propósito, foram escolhidos os quatro primeiros episódios da obra: o matadouro de Sevilha, Berganza como cão pastor, o rico comerciante e o oficial de justiça, tendo como ponto de partida o estudo analítico da comicidade, levando em conta a maneira como se constitui no corpus selecionado, seja por intermédio do elemento burlesco, seja pelo satírico, com a perspectiva de promover o entretenimento, o riso. Para realizar tal análise observou-se como essas formas discursivas se constituem no interior da narrativa/diálogo, destacando o que as distingue em cada episódio selecionado, a fim de desvendar de que maneira esse diálogo cômico-filosófico nos remete a uma censura sócio-moral, um dos temas centrais dessa obra de Cervantes.
Title in English
The exemplary novel 'El coloquio de los perros' and the precepts of the comic genre
Keywords in English
Censorship
Cervantes
El coloquio de los perros. Comical
Laughter
Abstract in English
This work aims to study some aspects of the comic genre in the exemplary novel El coloquio de los perros by Miguel de Cervantes. For this purpose the first four episodes of the work were selected: Slaughterhouse of Seville, Berganza as shepherd dog, the wealthy merchant and the bailiff. The chosen starting point was the analytical study of the comicality, taking into account the way it is constituted in the selected corpus, either through the burlesque element, or by the satirical one, with the perspective to promote entertainment, laughter. For such analysis, it was observed how these discursive forms are constituted within this narrative/dialogue, highlighting what distinguishes each one in the selected episodes, in order to unravel how this comical-philosophical dialogue leads us to a socio-moral censure, one of the central themes of this work of Cervantes.
 
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Publishing Date
2015-06-29
 
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