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Master's Dissertation
DOI
Document
Author
Full name
Mauricio Ferreira Freitas
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Cardoso, Mauricio (President)
Alambert Junior, Francisco Cabral
Aquino, Lívia Afonso de
Costa, Helouise Lima
Title in Portuguese
A fotografia de guerra como documento: Robert Capa e Gerda Taro na Guerra Civil Espanhola (1936-1939)
Keywords in Portuguese
Fotografia de guerra
Gerda Taro
Guerra Civil Espanhola (1936-1939)
Revistas ilustradas
Robert Capa
Abstract in Portuguese
A Guerra Civil Espanhola (1936-1939) foi o primeiro conflito do século XX sistematicamente fotografado, essas imagens produzidas por diversos fotógrafos foram divulgadas através de revistas ilustradas. Essa pesquisa teve como objetivo analisar a fotografia como documento a partir das imagens de Robert Capa e Gerda Taro durante o conflito espanhol e publicadas nas revistas ilustradas Vu, Life e Picture Post e no livro Death in the making, buscando trabalhar as imagens pelos seus aspectos formais, comparando as formas de veiculação e produção de narrativas nas revistas ilustradas produzidas pelos editores e pelos fotógrafos no livro. Por fim, essa comparação busca refletir sobre as fotografias como formas de expressar a experiência da guerra e sobre que tipo de narrativa elas produzem.
Title in English
The war photography as a document: Robert Capa and Gerda Taro in the Spanish Civil War (1936-1939)
Keywords in English
Gerda Taro
Illustrated magazines
Robert Capa
Spanish Civil War (1936-1939)
War photography
Abstract in English
The Spanish Civil War (1936-1939) was the first conflict of the twentieth century systematically photographed, these images produced by several photographers were disseminated through illustrated magazines. This research aimed to analyze photography as a document starting for the images produced by Robert Capa and Gerda Taro during the Spanish conflict and published in the illustrated magazines Vu, Life and Picture Post and in the book Death in the making, seeking to work the images by their formal aspects. And comparing their ways to convey and produce of narratives in the illustrated magazines produced by publishers or photographers in the book. Finally, this comparison seeks to reflect on the photographs as ways of expressing the experience of war and on what kind of narrative they produce.
 
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Publishing Date
2019-04-17
 
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