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Master's Dissertation
DOI
Document
Author
Full name
Pedro Benetazzo Serrer
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Toledo, Carlos de Almeida (President)
Alfredo, Anselmo
Boechat, Cássio Arruda
Giavarotti, Daniel Manzione
Title in Portuguese
Estudo sobre as imagens fotográficas da Chapada Diamantina
Keywords in Portuguese
Autonomização
Chapada Diamantina
Fotografia
Região
Representação
Abstract in Portuguese
Esta dissertação pretendeu interpretar as representações fotográficas da área que hoje é compreendida como Chapada Diamantina, localizada no estado da Bahia. Para tanto, está sugerida a necessidade de considerar os limites objetivos da paisagem como categoria de análise do processo social do qual resulta e, consequentemente, de sua representação em fotografias. Na interpretação aqui empreendida, a paisagem e a fotografia que fazem aparecer tal processo, ao mesmo tempo escondem aquilo que lhe é substancial enquanto forma social. Característica própria da sociabilidade mediada pela mercadoria. Por isso, durante o processo de estudo, por um lado buscou-se montar um panorama interpretativo lógico e histórico da área estudada e dos nexos que estabelece enquanto particularidade com a totalidade da reprodução social capitalista em escala nacional e global. Em paralelo correlato, buscou-se estabelecer um quadro das relações que possibilitaram a produção de cada um dos grupos de imagens selecionados para a realização dessa pesquisa. A análise crítica desses processos é a intenção dessa dissertação.
Title in English
Study about the photography images of Chapada Diamantina
Keywords in English
Autonomization
Chapada Diamantina
Photography
Region
Representation
Abstract in English
This dissertation intended to interpret the photographic representations of the area that today is understood as Chapada Diamantina, located in the state of Bahia. Therefore, it is suggested the need to consider the objective limits of the landscape as a category of analysis of the social process from which it results and, consequently, of its representation in photographs. In the interpretation made here, the landscape and the photograph that make this process appear, at the same time hide what is substantial as a social form. Characteristic of sociability mediated by the commodity. For this reason, during the study process, on the one hand we sought to create a logical and historical interpretive panorama of the area studied and the nexus that establishes as a particularity with the totality of capitalist social reproduction on a national and global scale. In parallel correlate, it was tried to establish a framework of the relations that enabled the production of each of the groups of images selected for the accomplishment of this research. The critical analysis of these processes is the intention of this dissertation.
 
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Publishing Date
2019-04-16
 
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