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Master's Dissertation
DOI
10.11606/D.8.2013.tde-29072013-104838
Document
Author
Full name
José Calixto Kahil Cohon
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Safatle, Vladimir Pinheiro (President)
Almeida, Jorge Mattos Brito de
Menezes Filho, Florivaldo
Title in Portuguese
Técnica e expressão na filosofia da música de Adorno
Keywords in Portuguese
Adorno
Estética
Expressão
Música
Técnica
Abstract in Portuguese
Trata-se de discutir as reflexões estéticas de Adorno em torno das categorias de Expressão e Técnica. Expressão e Técnica são categorias dialéticas constitutivas de toda obra de arte. A expressão como polo subjetivo e a técnica como polo objetivo; ambas em tensão fazem o movimento da história da arte. Nas obras tardias da filosofia da música de Adorno é possível reconhecer a importância de tais categorias em suas intervenções diante das vanguardas do pós-guerra nas quais encontramos as formulações mais instigantes, precisas e utópicas do filósofo compositor.
Title in English
Technique and expression on Adorno's philosophy of music
Keywords in English
Adorno
Aesthetic
Expression
Music
Technique
Abstract in English
It is to present reflections on Adorno aesthetic of music around the categories of Expression and Technique. Expression and Technical are dialectical categories that are constitutive to every work of art. The expression as subjective pole and technique as objective pole, both in tension, makes the history of art move on. In the late works of Adorno's philosophy of music is possible to recognize the importance of such categories in their speeches facing the vanguards of postwar where we found the most compelling, accurate and utopian formulations of the philosopher composer.
 
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Publishing Date
2013-07-29
 
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