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Master's Dissertation
DOI
10.11606/D.8.2015.tde-15072015-153423
Document
Author
Full name
Leonardo Canuto de Barros
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2014
Supervisor
Committee
Matos, Luiz Fernando Batista Franklin de (President)
Freitas, Jacira de
Souza, Maria das Gracas de
Title in Portuguese
O caráter ambivalente da música em Jean-Jacques Rousseau
Keywords in Portuguese
Harmonia
Melodia
Moral
Música
Natureza
Razão
Rousseau
Sentimento
Abstract in Portuguese
Trata-se de investigar o caráter ambivalente da música na teoria de Jean-Jacques Rousseau. O filósofo defende, ao mesmo tempo, os traços naturais da sinfonia, que lhe concedem o acento enérgico responsável por movimentar os sentimentos do ouvinte, e os aspectos artificiais que a constituem, resultantes da moralidade necessária para que a música seja de fato expressiva. Essa conciliação entre os elementos racional (harmonia) e patético (melodia) reforça o combate do filósofo genebrino contra a teoria ramista.
Title in English
The ambivalence of the music in Jean-Jacques Rousseau
Keywords in English
Feelings
Harmony
Melody
Morality
Music
Nature
Reason
Rousseau
Abstract in English
The purpose of this masters thesis is to investigate the ambivalence of music in Jean-Jacques Rousseau's theory. The philosopher argues, at the same time, about the natural features of the symphony, which give it the energetic accent responsible for moving the feelings of the listener, and about the artificial aspects that are resulting from morality required for music to be significant indeed. This reconciliation between the rational elements (harmony) and pathetic (melody) strengthens the combat against Rameaus theory.
 
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Publishing Date
2015-07-15
 
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