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Doctoral Thesis
DOI
10.11606/T.8.2009.tde-02022010-165821
Document
Author
Full name
Rejane Maria Bernal Ventura
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Knoll, Victor (President)
Mammi, Lorenzo
Marques Filho, Luiz Cesar
Tolle, Oliver
Werle, Marco Aurélio
Title in Portuguese
O Dialogo di Pittura de Paolo Pino, o Dialogo della Pittura, intiolato L'Aretino de Lodovico Dolce e a reflexão sobre a arte em Veneza no século XVI
Keywords in Portuguese
Arte Retórica
Ideal de beleza
Lodovico Dolce
Mimesis
Paolo Pino
Pintura veneziana
Ut pictura poesis
Abstract in Portuguese
Esta pesquisa tem por objetivo investigar alguns aspectos que permitam sistematizar uma teoria da arte na Veneza do século XVI, a partir de dois tratados artísticos: o Dialogo di Pittura, de Paolo Pino (1548) e o Dialogo della Pittura intitolato LAretino, de Lodovico Dolce (1557). Para isto, enfoca cinco problemas: o conceito de mimesis; a estrutura dos tratados em sua relação com a Arte Retórica; Pino e Dolce como representantes da doutrina do ut pictura poesis; o ideal de beleza e a disputa pela primazia da cor sobre o desenho.
Title in English
The Dialogo di Pittura of Paolo Pino, the Dialogo della Pittura, intitolato L'Aretino of Lodovico dolce an the reflexion about art in Veneza in XVI century
Keywords in English
Ideal of beauty
Lodovico Dolce
Mimesis
Paolo Pino
Rhetoric
Ut pictura poesis
Venetian painting
Abstract in English
This research deals with some aspects that enable to systematize an artistic theory in Venice from sixteenth century, from two artistic treatises: Paolo Pinos Dialogo di Pittura (1548) and Lodovico Dolces Dialogo della Pittura intitolato LAretino (1557). In order to get over this objective we will discuss five problems: mimesis notion; the treatises structure in your relation with Rhetoric; Pino and Dolce as ut pictura poesis doctrine members; the ideal of beauty and the debate for the primacy of colour over design.
 
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Publishing Date
2010-02-19
 
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