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Doctoral Thesis
DOI
https://doi.org/10.11606/T.8.2020.tde-15122020-195146
Document
Author
Full name
Gabriela Peters Gonçalves Levy
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2020
Supervisor
Committee
Menezes, Paulo Roberto Arruda de (President)
Augusto, Maria Helena Oliva
Bernava, Cristian Carla
Rovai, Mauro Luiz
Title in Portuguese
Revisitando imagens pelas lentes de Aleksandr Sokurov: uma abordagem a partir de Taurus, Moloch e O Sol
Keywords in Portuguese
Dominação
Homem público
Imagem
Memória do século XX
Sociologia do cinema
Abstract in Portuguese
Este estudo parte da análise fílmica e busca compreender os significados associados à imagem de Lenin, Hitler e Hirohito em Taurus (Aleksandr Sokurov, 2001), Moloch (Aleksandr Sokurov, 1999) e O Sol (Aleksandr Sokurov, 2005). A amostra os coloca em momentos distintos do exercício de sua liderança de modo a tencionar os fundamentos de legitimação de seus governos propondo diferentes diálogos com a tipologia weberiana. Nesse sentido, o estudo vai além de uma discussão sobre a capacidade ou a incapacidade de governar de cada protagonista apontando para diferentes potencialidades sociológicas ao propor um outro olhar para o passado e, em especial, para o modo como a imagem de cada um de seus protagonistas permanece no presente. Para tanto, o esforço de análise se volta ao modo de contar, de colorir e de montar a história, bem como ao uso dos sons, diálogos e silêncios e percebe cada uma das obras como uma narrativa completa e acabada que dialoga, respectivamente, com a história e com a memória soviética, alemã e japonesa sem, no entanto, crer que as personagens e as situações que aparecem na narrativa são uma cópia fiel dos livros de história ou dos desejos nunca revelados de seus participantes.
Title in English
Revisiting images through Aleksandr Sokurov´s lens: an approach from Taurus, Moloch and The Sun
Keywords in English
Domination
Image
Public man
Sociology of cinema
Twentieth century memory
Abstract in English
This study starts from film analysis and aims to understand the meanings associated with the image of Lenin, Hitler and Hirohito in Taurus (Aleksandr Sokurov, 2001), Moloch (Aleksandr Sokurov, 1999) and The Sun (Aleksandr Sokurov, 2005). The sample chosen places them at different momments in the exercise of their leadership in order to question the legitimacy foundations of their governments by proposing different dialogues according to the Weberian typology. In this sense, the study goes beyond a discussion of each protagonist's ability or inability to rule by pointing to different sociological potentialities by proposing another look at the past and, particularly, at the way the image of each of its protagonists remains in the present. To this end, the analysis effort focus to the way of telling, coloring and assembling the story, as well as the use of sounds, dialogues and silences and perceives each of the works as a complete and finished narrative that dialogues, respectively, with the Soviet, German and Japanese History and memory without, however, believing that the characters and situations that appear in the narrative are a faithful copy of the History books or the unrevealed wishes of their participants.
 
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Publishing Date
2020-12-16
 
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