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Doctoral Thesis
DOI
10.11606/T.8.2010.tde-15092010-171819
Document
Author
Full name
Dmitri Cerboncini Fernandes
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2010
Supervisor
Committee
Barros, Sergio Miceli Pessoa de (President)
Farias, Edson Silva de
Naves, Santuza Cambraia
Pinheiro Filho, Fernando Antonio
Ridenti, Marcelo Siqueira
Title in Portuguese
A inteligência da música popular: a 'autenticidade' no samba e no choro
Keywords in Portuguese
Choro
Indústria Cultural
Intelectuais
Música Popular
Samba
Abstract in Portuguese
Partindo das disputas intelectuais, simbólicas e materiais que enlaçam os dois gêneros musicais chancelados como identificadores da nação, o samba e o choro, analiso a constituição e a reprodução de um microcosmo artístico possuidor de parâmetros estéticos relativamente autônomos. Percorro um longo período histórico no intento de demonstrar que o adensamento de instituições voltadas ao abrigo da música popular enseja uma contrapartida, a do surgimento de engajados que tratam de separar as produções musicais populares entre as que consideram autênticas das inautênticas, grupamento a que denomino de inteligência da música popular. Coube estabelecer sob que condições, quando e por meio da ação de quais personagens conformouse este microcosmo, espaço que logrou direcionar as apreciações e investidas de todos inseridos na atividade musical popular urbana.
Title in English
The intelligence of authenticity in popular music samba and choro
Keywords in English
Choro
Cultural Industry
Intellectuals
Popular Music
Samba
Abstract in English
Starting from the intellectual, symbolic and material disputes that intertwine both muscial genres heralded as the Nations identifiers: samba and choro, I analyse the constitution and reproduction of an artistic microcosm possessor of relatively autonomous aesthetic parameters. Covering a long historical period with the intent of showing that the densification of institutions aimed at the sheltering of popular music ensues a counterpart, one of stemming the engaged parties whose efforts aim at dissociating the popular musical productions between the ones they regard as authentic from the inauthentic, a grouping which I denominate popular music intelligentsia. This implied establishing under which conditions, when and through the action of which actors such microcosm was yielded, a space that managed to direct the appreciations and investements of everyone inserted in the urban popular music activity.
 
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Publishing Date
2010-09-15
 
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