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Doctoral Thesis
DOI
10.11606/T.8.2011.tde-10102011-083356
Document
Author
Full name
Anderson Ricardo Trevisan
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2011
Supervisor
Committee
Menezes, Paulo Roberto Arruda de (President)
Baumgarten, Jens Michael
Bôas, Glaucia Kruse Villas
Schwarcz, Lilia Katri Moritz
Werle, Marco Aurélio
Title in Portuguese
Velhas imagens, novos problemas: a redescoberta de Debret no Brasil Modernista (1930 - 1945)
Keywords in Portuguese
Pintura
Sociologia da arte
Abstract in Portuguese
O presente trabalho investiga como a obra do pintor francês Jean-Baptiste Debret (1768-1848) foi redescoberta no Brasil nas primeiras décadas do século XX, especialmente entre os anos de 1930 e 1945. Artista de formação neoclássica, Debret viveu no Brasil entre os anos de 1816 e 1831, época em que criou uma infinidade de imagens sobre o país, desde pinturas históricas para a monarquia até pequenas aquarelas contemplando a vida cotidiana. Tendo sido pouco lembrado pelos brasileiros durante o século XIX, Debret seria especialmente valorizado no século XX. Partindo de sua fortuna crítica oitocentista, passando pelos colecionadores e pela crítica modernista, bem como pelo mercado editorial da época (com destaque para a Revista da Semana), o trabalho pretende compreender os eventos mais significativos dessa redescoberta, bem como suas implicações.
Title in English
Old images, new problems: the rediscovery of Debret in modernist Brazil (1930-1945)
Keywords in English
Painting
Sociology of art
Abstract in English
This work investigates the rediscovery of the work of French painter Jean-Baptiste Debret (1768-1848) in Brazil in the first half of the twentieth century, especially from 1930 to 1945. A neoclassical educated artist, Debret lived in Brazil from 1816 to 1831, period in which he created a multitude of images of the country, including contemplative watercolors of its everyday life and historical paintings for the Portuguese monarchy. Rarely considered by Brazilians during the nineteenth century, Debret would be particularly appreciated in the following century. Analyzing the nineteenth-century literary criticism of Debrets work, the collectors and the modernist critics it received in the twentieth century as well as the publishing market of the time (considering especially the Revista da Semana), the thesis aims to understand the most significant events of this rediscovery and its implications.
 
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Publishing Date
2011-10-10
 
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