• JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
 
  Bookmark and Share
 
 
Master's Dissertation
DOI
10.11606/D.8.2008.tde-01102008-175648
Document
Author
Full name
Glaucia Peres da Silva
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2008
Supervisor
Committee
Waizbort, Leopoldo Garcia Pinto (President)
Dias, Marcia Regina Tosta
Naves, Santuza Cambraia
Title in Portuguese
Mangue: moderno, pós-moderno, global
Keywords in Portuguese
Cultura
Global
Moderno
Movimento mangue
Pós-moderno
Recife
Abstract in Portuguese
Este trabalho analisa o Mangue como um fenômeno cultural que se distingue temporal e espacialmente de outras manifestações culturais que ocorrem nos âmbitos local, nacional e mundial. Como suas características podem ser pensadas como alguns dos aspectos culturais que marcam nosso tempo presente, suas possibilidades de distinção são analisadas a partir de duas perspectivas: a formação de identidades e a relação com a indústria fonográfica. Parto da hipótese de que o Mangue apresenta facetas modernas, pós-modernas e globalizadas, discutindo-as da perspectiva da arte e sua relação com a economia e a política. A análise sugere, ao final, que estas diferentes temporalidades não são mutuamente excludentes, mas, antes, combinam-se, rearranjando as relações entre as partes para que o todo continue em funcionamento
Title in English
Manguemovement: modern, post-modern, global
Keywords in English
Culture
Global
Mangue movement
Modern
Post-modern
Recife
Abstract in English
This research analyzes the Mangue [Mangroove] as a cultural phenomenon that distinguishes itself from other local, national and world cultural activities in relation to time and space. As Mangues characteristics may be thought in the same fashion of other cultural aspects that characterize our present time, its possibilities of distinction are analyzed from two distinct perspectives: the formation of identities and the relation between Mangue and the phonographic industry. I assume the hypothesis that the Mangue presents modern, post-modern and global facets, and discuss them from the perspective of arts and the relation between arts, economy and politics. Finally, the analysis suggests that these different temporalities are not mutually exclusive, but concur with each other, rearranging the relation between the parts in order to keep the whole at work
 
WARNING - Viewing this document is conditioned on your acceptance of the following terms of use:
This document is only for private use for research and teaching activities. Reproduction for commercial use is forbidden. This rights cover the whole data about this document as well as its contents. Any uses or copies of this document in whole or in part must include the author's name.
Publishing Date
2008-10-14
 
WARNING: Learn what derived works are clicking here.
All rights of the thesis/dissertation are from the authors
Centro de Informática de São Carlos
Digital Library of Theses and Dissertations of USP. Copyright © 2001-2022. All rights reserved.