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Doctoral Thesis
DOI
https://doi.org/10.11606/T.47.2017.tde-24072017-173104
Document
Author
Full name
Adriana Perassi Bosco
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2017
Supervisor
Committee
Freitas, Laura Villares de (President)
Faria, Durval Luiz de
Morato, Henriette Tognetti Penha
Scandiucci, Guilherme
Schmidt, Maria Luisa Sandoval
Title in Portuguese
Performances analíticas e a clínica de Dionísio: sombras do corpo no Ocidente, corpo simbólico e corpo gestual nas práticas clínicas de orientação pós-junguiana
Keywords in Portuguese
Corpo
Performance
Psicologia analítica
Psicologia arquetípica
Psicologia imaginal
Psicologia junguiana
Abstract in Portuguese
O presente trabalho busca traçar um panorama da categoria corpo na sociedade ocidental, apontando suas sombras e seus escapes e estabelecendo o campo da psicologia analítica como um lugar de reimaginação e ressignificação deste termo. Nossos objetivos principais foram traçar uma cartografia do estatuto do corpo na modernidade, compreender como este termo aparece nas obras junguianas e propor que o corpo, nas práticas derivadas deste referencial, se coloca como corpo simbólico e gestual, numa performance clínica que aponta para a multiplicidade dionisíaca como forma de conhecimento e ação e que abre a perspectiva de transformações alquímicas tanto singulares quanto coletivas para os participantes de uma cena
Title in English
Not informed by the author
Keywords in English
Analytical Psychology
Archetypal Psychology
Body
Imaginal Psychology
Junguian Psychology
Performance
Abstract in English
The present work seeks to draw a panorama of the body category in Western society, pointing out its shadows and its escapes and establishing the field of analytical psychology as a place of reimagination and re-signification of this term. Our main objectives were to map the status of the body in modernity, to understand how this term appears in the Jungian works and to propose that the body, in the practices derived from this referential, places itself as a symbolic and gestural body, in a clinical performance that points to multiplicity Dionysian as a form of knowledge and action and that opens the perspective of alchemical transformations both singular and collective for the participants of a scene
 
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bosco_do.pdf (1.73 Mbytes)
Publishing Date
2017-08-03
 
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