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Master's Dissertation
DOI
10.11606/D.31.2018.tde-12122018-101951
Document
Author
Full name
Gustavo Brocanello Regina
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Simioni, Ana Paula Cavalcanti (President)
Moraes, Marcos Antonio de
Pitta, Fernanda Mendonça
Simoes, Julio Assis
Title in Portuguese
A máscara e o espelho: representações de masculinidades nos autorretratos acadêmicos brasileiros
Keywords in Portuguese
arte acadêmica
arte brasileira
autorretrato
imaginário
masculinidade
pintura
Abstract in Portuguese
Esta dissertação tem por objetivo compreender as representações das masculinidades realizadas nas pinturas acadêmicas brasileiras entre os séculos XIX e XX. Buscou-se analisar a vida e obra do crítico de arte e escritor carioca Gonzaga Duque Estrada (1863-1911) para entender o cenário artístico brasileiro no qual as pinturas foram concebidas e como elas foram mediadas para o público. Também pretendeu-se examinar os autorretratos masculinos ao longo da história de modo a determinar uma bacia semântica comum nas representações e trazer a luz a dinâmica entre a percepção de si mesmo, a construção da imagem do homem com as vivências possíveis do gênero masculino. Neste sentido, a partir dos dados coletados, a pesquisa parte para o comentário dos autorretratos de pintores brasileiros, tais como Almeida Júnior (1876-1882) e Pedro Américo (1843-1905), em um esforço de investigar o quanto as pinturas selecionadas para este estudo estavam inseridas em um debate maior que buscava definir a identidade masculina.
Title in English
The mask and the mirror: representations of masculinities in Brazilian academic self-portraits
Keywords in English
academic art
Brazilian art
imaginary
masculinity
painting
self-portrait
Abstract in English
This dissertation intends to comprehend the representations of masculinities executed in Brazilian academic paintings between the 19th and 20th centuries. We sought to analyze the life and work of the art critic and writer Gonzaga Duque Estrada (1863-1911), native do Rio de Janeiro, in order do understand the Brazilian artistic scenario in which these paintings were conceived and how they were presented to the public. We also intended to examine the male self-portraits throughout history so that the research could determine a common semantic source in these representations and bring into light the dynamics between the perception of oneself, the construction of the image of man with the possible experiences of the male gender. In this sense, based on collected data, the research comments the self-portraits of Brazilian painters, such as Almeida Júnior (1876-1882) and Pedro Américo (1843-1905), in an attempt to investigate how much the paintings selected for this study were part of a bigger debate that sought to define masculine identity.
 
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Publishing Date
2018-12-12
 
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