• JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
 
  Bookmark and Share
 
 
Master's Dissertation
DOI
https://doi.org/10.11606/D.27.2016.tde-20092016-151742
Document
Author
Full name
Luís Martins Villaça
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Gervaiseau, Henri Pierre Arraes de Alencar (President)
Dávila, Ignacio Del Valle
Morettin, Eduardo Victorio
Title in Portuguese
Nostalgia da luz (2010) e o filme-ensaio: uma proposta de análise a partir da trajetória cinematográfica de Patricio Guzmán
Keywords in Portuguese
-
Abstract in Portuguese
Este projeto de pesquisa tem como objetivo final analisar o percurso que Patricio Guzmán desenvolveu como documentarista, através de seus modos de abordagem da história contemporânea do Chile, com particular destaque ao filme Nostalgia da Luz (Chile, 2010), que consideramos constituir, de certo modo, uma síntese de sua evolução como realizador. A hipótese principal é a de que podemos situar essa obra a partir das noções de filme ensaio. Para tal empreendimento, serão considerados ainda, do mesmo diretor, os documentários O poder popular (1979, terceira parte da trilogia A Batalha do Chile) e Chile, a memória obstinada (1997), como corpus de pesquisa complementar.
Title in English
-
Keywords in English
-
Abstract in English
This project has as its final objective to analyze the path that Patricio Guzmán developed as a documentary filmmaker, through his ways of approaching the contemporary history of Chile, with particular reference to the film Nostalgia da Luz (2010) which we believe to constitute, in a certain way, a synthesis of his evolution as a director. The main hypothesis is that we can situate this work as from the essay-film notions. For such enterprise will be further considered, from the same director, the documentaries O poder popular (1979), third part of the trilogy A Batalha do Chile, and Chile, a memória obstinada (1997) as supplementary research corpus.
 
WARNING - Viewing this document is conditioned on your acceptance of the following terms of use:
This document is only for private use for research and teaching activities. Reproduction for commercial use is forbidden. This rights cover the whole data about this document as well as its contents. Any uses or copies of this document in whole or in part must include the author's name.
LuisMartinsVillacaVC.pdf (962.38 Kbytes)
Publishing Date
2016-09-21
 
WARNING: Learn what derived works are clicking here.
All rights of the thesis/dissertation are from the authors
CeTI-SC/STI
Digital Library of Theses and Dissertations of USP. Copyright © 2001-2024. All rights reserved.