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Doctoral Thesis
DOI
10.11606/T.27.2018.tde-18092018-170920
Document
Author
Full name
Tainah Negreiros Oliveira de Souza
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2018
Supervisor
Committee
Machado Junior, Rubens Luis Ribeiro (President)
Silva, Mariana Duccini Junqueira da
Mello, Cecilia Antakly de
Silva, Denise Tavares da
Silva, Mateus Araújo
Title in Portuguese
A vida e a obra de Agnès Varda em As Praias de Agnès (2008)
Keywords in Portuguese
Agnès Varda
autobiografia
autorretrato
história
memória
Abstract in Portuguese
As praias de Agnès é um filme elaborado por meio de um movimento retrospectivo em que a cineasta Agnès Varda reflete sobre sua vida e compõe uma costura entre a sua narrativa e a maneira como mobiliza trechos de diversas obras suas. O trabalho está voltado para analisar o filme partindo da hipótese de que As praias de Agnes, além de estabelecer esse contato entre recordações e processo de criação, reúne elementos que atravessam a filmografia da cineasta. A pesquisa esteve dedicada a lançar luz sobre as recorrências mas também observando as singularidades de cada trabalho, percebendo neles o que torna Agnès Varda uma artista que instiga o estudo sobre sua obra. O esforço foi de investigar o modo como a cineasta aliou seus temas à forma fílmica a partir da relação que estabelece entre memórias, história e os contatos que promove entre o cinema e outras artes.
Title in English
-
Keywords in English
Agnès Varda
autobiography
history
memory
self-portrait
Abstract in English
The beaches of Agnès is a film elaborated through a retrospective movement in which filmmaker Agnès Varda reflects about her life and composes an articulation between her narrative and the way she mobilizes excerpts from her various works. This work is focused on analyzing the film based on the hypothesis that The beaches of Agnès, in addition to establishing this contact between memories and the creation process, brings together recurring elements in the work of the filmmaker. The research was dedicated to shed light on the recurrences but also observing the singularities of each work, realizing in them what makes Agnès Varda an artist whose study of the work becomes so instigating. The thesis investigates the way in which Varda articulates form and content through an analysis of the rapport between memory ans history and of cinema relationship with other forms of art.
 
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Publishing Date
2018-09-18
 
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