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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2021.tde-18082021-074119
Document
Author
Full name
Alexandre Fontainha Ficarelli
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2021
Supervisor
Committee
Zani Netto, Amilcar (President)
Amato, Luiz Britto Passos
Domingues, Ravi Shankar Viana
Justi, Luis Carlos
Suetholz, Robert John
Title in Portuguese
Hommages op.18 à Frank Martin, Béla Bartók et Igor Strawinsky para oboé, cordas e tímpano ad libitum de Ernst Widmer - uma visão interpretativa
Keywords in Portuguese
Análise
Interpretação
Oboé
Performance
Widmer
Abstract in Portuguese
O tema deste trabalho consiste na abordagem interpretativa da obra Hommages op. 18 à Frank Martin, Béla Bartók et Igor Strawinsky para oboé, cordas e tímpanos ad libitum de Ernst Widmer e foi construída a partir da observância de uma série de aspectos: analíticos, históricos e conceituais. A dedicatória da obra já mostra indícios de influências e foi primordial examinar como estas se manifestaram no texto musical. O trabalho dividese, basicamente, em duas partes. A primeira aborda o conceito de interpretação, execução e performance, bem como sua transformação ao longo da história. Essas modificações estão assinaladas dentro de um recorte histórico que compreende o espaço de tempo no qual os compositores homenageados viveram. A segunda propõe uma perspectiva de interpretação, construída e formatada através do processo analítico, que embasa as escolhas realizadas. Para tanto, foi utilizada a Teoria dos Conjuntos, ferramenta considerada adequada à analise dessa obra não tonal. O processo de investigação das influências que Widmer declara haver recebido daqueles compositores, ao longo de sua trajetória musical, mostrou-se fundamental para a construção de uma referência para cada um dos movimentos que compõem a obra. Foram utilizadas, para este trabalho, cópias dos manuscritos originais que permanecem, atualmente, mantidos na Suíça. Julgou-se oportuno situar a obra no cenário histórico no qual ela se insere, depois da vinda do compositor para o Brasil, assim como examinar outras peças compostas durante o mesmo período com a finalidade de se estabelecer uma visão mais ampla de seu estilo composicional.
Title in English
-
Keywords in English
Analysis
Interpretation
Oboe
Performance
Abstract in English
An interpretative approach to Hommages op. 18 à Frank Martin, Béla Bartók et Igor Strawinsky for oboe, strings and timpani ad libitum by Ernst Widmer is the theme of this thesis, and it was built based on the observance of a series of aspects: analytical, historical and conceptual ones. The dedication of Hommages foreshadows signs of influences, and it was crucial to examine how they were manifested in the musical text.. In this work I basically divided into two parts. The first addresses the concept of interpretation, execution and performance, as well as its transformation throughout history. These changes are marked within a historical framework that comprises the space of time in which the honored composers lived. The second proposes an interpretation perspective, constructed and formatted through the analytical process, which underlies the choices made. For that, the Set Theory was used, a tool considered adequate for the analysis of this non-tonal work. The process of investigating the influences that Widmer declares to have received from those composers throughout his musical trajectory, proved to be fundamental for the construction of a reference for each of the movements that compose the work. Copies of the original manuscripts were used for this work, which are currently kept in Switzerland. It was considered opportune to place the work in the historical framework in which it is inserted, after the composer's arrival in Brazil, as well as to examine other pieces composed during the same period in order to establish a broader vision of his compositional style.
 
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Publishing Date
2021-08-20
 
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