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The present work initially aimed to study the cultural phenomena contributing to a particular interpretation of Spanish lyrical songs related to popular flamenco music. However, throughout the study, this objective was reconfigured and modified through different paths and perspectives, generating a work that navigated through diverse transcultural worlds, problematizing a series of assumptions, and adopting a critical and social stance. Using autoethnography as the methodology, the monograph addresses, in the first person, a series of family and personal circumstances that directly influenced my multidisciplinary identity, expressing musical traits present in my artistic interpretation. Throughout the academic journey, I introduce a series of poetic elements, photos, drawings, and recordings that complement, illustrate, and contextualize the theoretical reflections in the text. As a consequence of the study, I highlight the power of my father's flamenco orality in the interpretation of lyrical songs, redefining the dichotomy between classical and popular music.