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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2021.tde-19092023-144205
Document
Author
Full name
Daisy Alves Fragoso Galvão
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2021
Supervisor
Committee
Salles, Pedro Paulo (President)
Beineke, Viviane
Fridman, Ana Luisa
Machado, Adelcio Camilo
Pucci, Magda Dourado
Title in Portuguese
Diários musicais: o musicar na Escola Estadual Indígena Guarani Gwyra Pepo.
Keywords in Portuguese
Educação escolar indígena
Educação musical
Guarani Mbya
Musicar
Abstract in Portuguese
Esta tese registra e discute as práticas musicais que acontecem na Escola Estadual Indígena Guarani Gwyra Pepo, escola inserida na aldeia Tenonde Porã, no bairro de Parelheiros, extremo sul da cidade de São Paulo. A partir do termo musicar, são apresentadas as possíveis relações que estão sendo estabelecidas durante as performances musicais que acontecem na escola, possibilitando esboçar algumas respostas sobre os significados que tais práticas musicais assumem. O principal deles parece ser aquele que coloca a escola como mais um espaço de feitura dos corpos e de individuação e divinização da pessoa guarani, na medida em que professoras e professores mbya definem o nhandereko como condutor e articulador do musicar no espaço-tempo escolar. Ademais, tanto a escola quanto o musicar que ali se efetivam, parecem estar situados em zonas fronteiriças, de constantes e densas trocas, fazendo com que ambos escola e musicar assumam formas diversas. Estas, por sua vez, são provocadas tanto pela esquiva, quando incorporam movimentos externos, quanto pela invenção, no devir.
Title in English
-
Keywords in English
Guarani Mbya
Indigenous schooling
Music education
Musicking
Abstract in English
This thesis registers and discusses the musical practices that take place at the Guarani Gwyra Pepo Indigenous State School, located in the Tenonde Porã village, Parelheiros district, extreme south of the city of São Paulo. Based on the term musicking, the possible relationships that are established during the musical performances at the school are presented, making it possible to outline some of the meanings that such musical practices assume. The main meaning seems to be placing the school as another space for making bodies and for individuating and deifying the Guarani person, as Mbya teachers define nhandereko as a conductor and articulator of musicking in the school space-time. Furthermore, both the school and the musicking seem to be located in border areas of constant and dense exchanges, causing both school and musicking to assume different forms. These, in turn, are caused both by dodge when they incorporate external movements, and by invention, in becoming.
 
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Publishing Date
2023-09-19
 
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