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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2021.tde-13072022-153129
Document
Author
Full name
Marcus Vinícius Sant'Anna Held Neves
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2021
Supervisor
Committee
Lucas, Monica Isabel (President)
Aguilar, Patricia Michelini
Fiammenghi, Luiz Henrique
Paschoal, Stéfano
Rónai, Laura Tausz
Title in Portuguese
O caminho para a emulação: Francesco Geminiani e a consolidação do estilo inglês no século XVIII (1714-1762)
Keywords in Portuguese
Didascalia
Estilo
Francesco Geminiani
Gostos Reunidos
Música Inglesa
Abstract in Portuguese
A presente pesquisa se propõe a investigar de que maneira o compositor italiano Francesco Geminiani contribuiu no processo de consolidação do estilo da música instrumental praticada na Inglaterra no período delimitado por sua residência na ilha. Analisaremos o conjunto de acepções das tópicas de gosto e estilo no pensamento filosófico-musical do século XVIII, visando compreender suas correspondências continentais e insulares. Concebemos o conceito de bom gosto, sua relação com o empirismo e suas formas de transmissão. A análise dessas informações nos possibilita constatar que a reunião dos estilos italiano representado por Arcangelo Corelli (1653-1713) e francês representado por Jean-Baptiste Lully (1632-1687) implica, também, na emulação não apenas de suas características, mas também de seus modelos de autoridade. A música instrumental da Inglaterra, com sua história singular, é abordada desde o século XVII para que se possibilite entender de que maneira seus gêneros representativos consort, fantasia-suíte, division-musick, trio-sonata e sonata , suas auctoritates e seu corpus didascálico pavimentaram o caminho da emulação percorrido por Geminiani. A verificação de sua música de câmara sonatas para violino e peças para cravo bem como de seus tratados musicais viabilizam compreendê-lo como modelo de referência no contexto da consolidação da música instrumental inglesa entre os anos de 1714 e 1762.
Title in English
The Road to Emulation: Francesco Geminiani and the consolidation of the eighteenth-century English style (1714-1762).
Keywords in English
Didascalia
English Music
Francesco Geminiani
Mixed Tastes
Style
Abstract in English
The present research proposes to investigate the in which manner the Italian composer Francesco Geminiani contributed to the consolidation process of the instrumental music style practiced in England throughout the period delimited by his residence in the Isle. We will analyze the meanings of taste and style in the eighteenth-century philosophical and musical thought, aiming to understand their continental and insular correspondences. We conceive the concept of good taste, its relation to empiricism and its ways of transmission. The analysis of this information enables us to verify that the reunion of Italian represented by Arcangelo Corelli (1653-1713) and French represented by Jean-Baptiste Lully (1632-1687) musical styles implies also on the emulation not only of their characteristics, but also of their authoritative models. English instrumental music, with its singular history, will be approached since the seventeenth-century in order to enable us to understand the manner in which its representative genres consort, fantasia-suite, division-musick, trio sonata and sonata , its auctoritates and its didascalic corpus guided the road do emulation travelled by Geminiani. The study of his chamber music sonatas for violin and pieces for the harpsichord , as well as his musical treatises allows us to perceive him as an authoritative model in the context of the consolidation of English instrumental music between the 1714 and 1762.
 
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Publishing Date
2022-07-13
 
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