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Doctoral Thesis
DOI
https://doi.org/10.11606/T.27.2019.tde-19022021-123957
Document
Author
Full name
Luciana Eastwood Romagnolli
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2019
Supervisor
Committee
Silva, Antônio Carlos de Araújo (President)
Greiner, Christine
Mencarelli, Fernando Antonio
Pais, Ana Cristina Nunes
Telesi, Silvia Fernandes da Silva
Title in Portuguese
Dramaturgias conviviais: formas para experiências do comum
Keywords in Portuguese
Comum
Convívio
Dramaturgia
Espectador
Público
Abstract in Portuguese
Esta tese propõe o conceito de dramaturgia convivial para a análise estética e crítica de práticas artísticas que intensificam e problematizam o convívio entre espectadores, artistas e, ocasionalmente, técnicos. Com base em uma concepção expandida de dramaturgia como a articulação das presenças e sentidos para a composição de um acontecimento, investigamos modos de elaboração dramatúrgica do convívio em práticas artísticas de teatro e dança, à luz das discussões sobre presença, estética relacional, participação e dramaturgia do público. Analisamos trabalhos do grupo Opovoempé, da CiaSenhas de Teatro, da companhia brasileira de teatro e da Demolition Incorporada para traçar estratégias de implicação do espectador e de instauração de experiências estéticas do comum. A partir dessas análises, observamos usos característicos das materialidades da cena e formas de negociação entre os corpos, dialogando com os conceitos de circuito afetivo e política do comum, de modo a relacionar aspectos estéticos, éticos e políticos dessas práticas.
Title in English
-
Keywords in English
Audience
Common
Conviviality
Dramaturgy
Spectator
Abstract in English
This thesis proposes the concept of dramaturgy of conviviality for the aesthetic and critical analysis of artistic practices that intensify and problematize the conviviality between spectators, artists and, occasionally, technicians. Based on an expanded conception of dramaturgy as the articulation of presences and senses for the composition of an event, we investigate ways of dramaturgical elaboration of conviviality in theatre and dance practices, in the light of discussions about presence, relational aesthetics, participation and dramaturgy of audience. We analyzed some works by the Opovoempé group, CiaSenhas de Teatro, companhia brasileira de teatro and Demolition Incorporada to outline strategies for engaging the spectator and establishing aesthetic experiences of common. From these analyzes, we observe typical uses of scene's materialities and forms of negotiation between the bodies, dialoguing with the concepts of affective circuit and politic of common, in order to relate aesthetic, ethical and political aspects of these practices.
 
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Publishing Date
2021-02-19
 
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