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Doctoral Thesis
DOI
10.11606/T.27.2016.tde-12012016-102324
Document
Author
Full name
Manon de Salles Ferreira
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Lopes, Elisabeth Silva (President)
Barbuy, Heloisa Maria Silveira
Bonadio, Maria Claudia
Correa, Victor Aquino Gomes
Costa, Felisberto Sabino da
Title in Portuguese
A roupa depois da cena
Keywords in Portuguese
Conservação têxtil
Cultura material
Fause Haten
Figurinos
Moda
Ney Matogrosso
Teatro
Trajes de cena
Abstract in Portuguese
A partir da estreita relação entre a roupa social e o figurino, dentro e fora do espetáculo, esta tese tem como objetivo investigar os percursos que faz a roupa após a "cena", isto é, a partir do momento em que são guardadas como documentos de pesquisa e não mais usadas como objeto de consumo e descarte. São discutidas questões relacionadas aos acervos têxteis e os processos necessários para a sua conservação e esse será o objeto de estudo: as iniciativas existentes fora dos espaços museológicos que vem sendo realizadas por grupos de teatro, universidades, colecionadores, instituições culturais e estilistas. Será debatido o exemplo do Centre National du Costume de Scène, na França, a coleção de figurinos do cantor/performer Ney Matogrosso numa instituição de ensino, e o desenvolvimento, como estudo de caso, do projeto de conservação e exposição da coleção de marionetes do estilista/figurinista Fause Haten.
Title in English
The clothes after the scene
Keywords in English
Costumes
Fashion
Fause Haten
Material culture
Ney Matogrosso
Textile conservation
Theatre
Abstract in English
From the close relationship between social clothes and costumes, in and out of the show, this thesis aims to investigate the pathways that make the clothes after the "scene" that is, from the moment they are saved as documents research and no longer used as an object of consumption and disposal. Issues are discussed related to textiles collections and the processes needed for its conservation and that will be the object of study: existing initiatives outside the museum spaces that have been performed by theater groups, universities, collectors, cultural institutions and designers. It will be discussed the example of the Centre National du Costume de Scène in France the collection of costumes the singer / performer Ney Matogrosso an educational institution, and the development, as a case study, the conservation project and exhibition designer collection of puppets / costume Fause Haten
 
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Publishing Date
2016-01-12
 
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