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Master's Dissertation
DOI
10.11606/D.27.2013.tde-06032014-143006
Document
Author
Full name
Elisa de Almeida Rossin
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Coutinho, Eduardo Tessari (President)
Carvalho, Heloisa Cardoso Villaboim de
Ferracini, Renato
Title in Portuguese
A criação de máscaras: o desdobramento das formas na cena
Keywords in Portuguese
Corpo
Forma
Máscara
Movimento
Abstract in Portuguese
A presente dissertação de mestrado trata da reflexão sobre a criação de máscaras teatrais, tendo como enfoque principal a interação corpo-objeto. Pretende-se analisar como as dimensões plásticas de tal objeto (sua concepção de tamanho, formato e cor) se caracterizam como uma poética gestual e permitem o desenvolvimento de distintas qualidades do jogo cênico. O trabalho apresenta um estudo sobre a atuação a partir das formas, ou seja, uma análise quanto à influência e à força das linhas e dos relevos sobre a arquitetura corporal e os impulsos físicos. Nesse percurso, a máscara se conecta a outras manifestações artísticas, como a dança, a pintura e a escultura, ampliando, respectivamente, as fronteiras reflexivas e as possibilidades da criação teatral.
Title in English
The creations of masks: development of forms in the scene
Keywords in English
Body
Form
Mask
Movement
Abstract in English
This Master's thesis is about the reflection on the creation of theatrical masks with the main focus on body-object interaction. It intends to analyze how the plastic dimensions of this object (its design, size, shape, and color) can be characterized as a poetic gesture, and they allow developing distinct qualities of the scenic play. The paper presents a study on the performance beginning from forms, i.e. an analysis of the influence and significance that lines and reliefs have on the body architecture and on physical impulses. Along that line, the mask establishes a relationship to other art forms such as dance, paint, and sculpture, and it respectively widens the boundaries and possibilities of theatrical creation.
 
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Publishing Date
2014-03-10
 
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