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Doctoral Thesis
DOI
10.11606/T.27.2015.tde-01062015-160328
Document
Author
Full name
Ipojucan Pereira da Silva
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Costa, Felisberto Sabino da (President)
Coutinho, Eduardo Tessari
Cintra, Wagner Francisco Araujo
Farias, Agnaldo Aricê Caldas
Oliveira, Samir Signeu Porto
Title in Portuguese
Mascaramento espacial: um processo criativo envolvendo a espacialidade corporal do ator
Keywords in Portuguese
Atuação
Corpo
Espacialidade
Mascaramento
Abstract in Portuguese
A pesquisa apresenta as etapas de um processo de criação no qual a espacialidade corporal do ator lhe serve de mascaramento. Utiliza uma série progressiva de laboratórios que investigam o trânsito entre espaço e performatividade, a partir de estruturas plástico-arquitetônicas empregadas como máscaras espaciais. Organiza os resultados em partituras cênicas, tratadas como mascaramentos responsáveis por uma qualidade psicofísica diferenciada. Aponta como principais resultados: a dinâmica do corpo como princípio que anima e ativa o espaço; a disponibilidade para atuar e ser atuado pelo ambiente; o emprego da espacialidade corporal na criação cênica. Conclui que a composição de partituras em perspectiva de mascaramento espacial pode servir de base à escritura cênica
Title in English
Spatial Masking: a creative process involving bodily spatiality of the actor
Keywords in English
Body
Masking
Performance
Spatiality
Abstract in English
The research presents the steps of a creation process in which the actor's body spatiality serves them as a masking. It uses a progressive series of laboratories investigating the transit between space and performativity, from plastic-architectural structures used as spatial masks. It organizes the results in scenic scores, treated as masking which are responsible for a distinct psychophysical quality. It indicates that the main results: the dynamics of the body as a principle that animates and activates the space; the ability to act and be acted by the environment; the use of body spatiality in the scenic creation. It concludes that the composition of scores in spatial masking perspective can be the basis for a scenic scripture
 
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Publishing Date
2015-06-02
 
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