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Master's Dissertation
DOI
10.11606/D.27.2011.tde-26052014-143431
Document
Author
Full name
Camila Ladeira Scudeler Rinaldi
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2011
Supervisor
Committee
Silva, Armando Sérgio da (President)
Lima, Reynuncio Napoleão de
Mate, Alexandre Luiz
Title in Portuguese
Um olhar sobre a criação atoral e a relação com o espectador - os filhos da Dita
Keywords in Portuguese
Arlequins
biomecânica
criação atoral
ditadura civil-militar brasileira
relação atorespectador
teatro de grupo
teatro épico-dialético
Abstract in Portuguese
Esta pesquisa debruça-se no meu processo de criação atoral no espetáculo Os filhos da Dita, do Núcleo Arlequins da Cooperativa Paulista de Teatro, tendo como base teórico/prática principal o treinamento psicofísico proposto pelo encenador-pedagogo Vsévolod Meyerhold, buscando sublinhar as demandas e possibilidades de uma postura política consequente em cena. A partir das relações estabelecidas desde a escolha do tema, o desenvolvimento da dramaturgia e posterior criação cênica propriamente dita, busco descrever os estímulos e motivações que me conduziram na criação cênica em diálogo com a estética desenvolvida pela companhia há 25 anos, e o posterior contato estabelecido com o espectador.
Title in English
A look at an actress' creative process and relationship with the audience - Os filhos da Dita. 2011
Keywords in English
actor's creation
actor-audience relationship
biomechanics
Brazilian civil-military dictatorship
epic-dialectic theatre
group theatre
Abstract in English
This research lies on my acting creative process in the play called Os filhos da Dita, of Arlequins (Theatre group that belongs to the Cooperativa Paulista de Teatro), having as main theoretical/practical basis the psycho physical training proposed by pedagogue-director Vsévolod Meyerhold, aiming at underling the demands and possibilities of a consequent political posture on stage. Based on the relationships established with various artists involved in a creative process from choosing the play theme, dramaturgy development and following scenic creation, I describe the stimulus and motives that led me in the scenic creation. The procedures are developed in open dialogue with the esthetics held by the group in the last 25 years, and subsequent contact established with the audience.
 
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Publishing Date
2014-09-22
 
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