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Master's Dissertation
DOI
https://doi.org/10.11606/D.27.2020.tde-10032021-152647
Document
Author
Full name
Rodrigo Fabbro Cunha
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2020
Supervisor
Committee
Martins, José Batista Dal Farra (President)
Aguilar, Gina Maria Monge
Wegner, Ana Cristine
Title in Portuguese
O canto do ator: dois estudos sobre a poética de Novarina
Keywords in Portuguese
Ator
Corpo e voz
Dramaturgia contemporânea
Novarina
Prática com o texto
Abstract in Portuguese
Esta pesquisa de âmbito prático e teórico visa investigar a pedagogia do ator e suas possibilidades poéticas de trabalho com o dizer de um texto em confronto com a dramaturgia de Valère Novarina. Para tanto, a dissertação vale-se de preceitos deste dramaturgo, direcionados ao ator, a partir de seu texto Carta aos Atores. Na parte prática da pesquisa, são utilizados trechos de duas de suas peças: O Ateliê Voador e L'Espace Furieux. Constrói-se um diálogo com a tese de doutorado de Antonio Januzelli, que trata da prática do ator e alicerça também a pesquisa prática. Há, ainda, um trabalho de tradução de uma cena da peça L'Espace Furieux, em jogo com a prática do ator, a fim de explorar possibilidades tradutológicas diretamente sobre a cena com os atores ou o ator. Desta forma, a pesquisa foca o jogo do ator com o texto e, em última instância, as fronteiras entre o cantar e o falar.
Title in English
The Actor's Sing/Corner: two studies on the poetics of Novarina
Keywords in English
Body and voice
Contemporary dramaturgy
Novarina
Practice with the text
Abstract in English
This research of practical and theoretical scope aims to investigate the pedagogy of the actor and his poetic possibilities of work with the speaking of a text in confrontation with the dramaturgy of Valère Novarina. To this end, the dissertation uses the precepts of this playwright, directed to the actor, from his text Letter to the Actors. In the practical part of the research, excerpts from two of his plays are used: The Flying Workshop and L'Espace Furieux. This dissertation builds a dialogue with Antonio Januzelli's PhD thesis, which deals with the practice of the actor and underpins practical research. There is also a work of translation of a scene from the play L'Espace Furieux, in a game with the actor's practice, in order to explore translation possibilities directly on the scene with the actors or the actor. Thus the research focuses on the actor's game with the text and, ultimately, the boundaries between singing and speaking.
 
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Publishing Date
2021-03-10
 
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