Master's Dissertation
DOI
https://doi.org/10.11606/D.27.2009.tde-21092009-154513
Document
Author
Full name
Fabio Diaz Camarneiro
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Machado Junior, Rubens Luis Ribeiro (President)
Favaretto, Celso Fernando
Xavier, Ismail Norberto
Title in Portuguese
Contradições da canção: música popular brasileira em "O Mandarim", de Julio Bressane
Keywords in Portuguese
"O mandarim"
"Tabu"
Cinema Brasileiro
Julio Bressane
Mario Reis
Música Popular Brasileira
Tropicalismo
Abstract in Portuguese
Os longas-metragens "Tabu" (1982) e "O mandarim" (1995), de Julio Bressane, reinterpretam a história da canção popular brasileira de Mario Reis até a Tropicália, usando referências do modernismo e do próprio tropicalismo e questionando as influências populares, eruditas e estrangeiras da música brasileira.
Title in English
Contradictions of the song: Brazilian popular music in Julio Bressane's "O mandarim"
Keywords in English
"O mandarim"
"Tabu"
Brazilian cinema
Brazilian popular music
Julio Bressane
Mario Reis
Tropicalism
Abstract in English
Julio Bressanes films Tabu (1982) and O mandarim (1995) interpret the story of Brazilian popular music from Mario Reis until the Tropicália movement. The director uses Brazilian modernisms and Tropicalisms references to question the popular, the erudite and the foreigner influences in Brazilian music.
WARNING - Viewing this document is conditioned on your acceptance of the following terms of use:
This document is only for private use for research and teaching activities. Reproduction for commercial use is forbidden. This rights cover the whole data about this document as well as its contents. Any uses or copies of this document in whole or in part must include the author's name.
Publishing Date
2009-09-24