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Master's Dissertation
DOI
10.11606/D.27.2007.tde-05072009-195421
Document
Author
Full name
Carlos Eduardo Silva Carneiro Filho
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2007
Supervisor
Committee
Pinto, Cyro Del Nero de Oliveira (President)
Dias, José da Silva
Januzelli, Antonio Luiz Dias
Title in Portuguese
Gianni Ratto: artesão do teatro
Keywords in Portuguese
Gianni Ratto
Teatro brasileiro
Teatro Popular de Arte
Abstract in Portuguese
A trajetória do diretor, cenógrafo, iluminador, figurinista e professor de teatro Gianni Ratto é abordada nesse trabalho. Sua vida pessoal e profissional, a partir de seu nascimento na Itália até sua chegada e permanência no Brasil. Sua forma de trabalho como diretor. A dissertação objetiva também mostrar a preocupação de Gianni Ratto com a condução do espetáculo através de um trinômio fundamental para sua qualidade estrutural: texto/ator/diretor. A comprovação de sua forma de trabalho, teve por base o registro de entrevistas realizadas com ele, e com pessoas que com ele conviveram e trabalharam, demonstrando sua forma de direção, a partir do convite para dirigir o Teatro Popular de Arte, nos anos 50. Mostra também a importância de Gianni Ratto para o teatro brasileiro, e a preocupação com a valorização de seus autores e atores.
Title in English
Gianni Ratto: artesão do teatro
Keywords in English
Gianni Ratto
Teatro brasileiro
Teatro Popular de Arte
Abstract in English
The trajectory of theater director, scenographer, lighting designer, costume designer and teacher Gianni Ratto is analyzed in this paper. His personal and professional life, from his birth in Italy to his arrival and permanent residence in Brazil. His work method as a director. The objective dissertation also shows Gianni Rattos concern about the direction of the theatrical performance through a fundamental trinomial for its structural quality: text/actor/director. The corroboration of his work method was based on interviews done with him, and with people who had social and professional contact with him, thus demonstrating his direction method, since the invitation to direct the Popular Theater of Art, in the 1950s. It also shows the importance of Gianni Ratto for the Brazilian theater, and his concern with valuing its authors and actors.
 
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Publishing Date
2009-07-13
 
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