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Master's Dissertation
DOI
10.11606/D.27.2006.tde-13082009-162757
Document
Author
Full name
Mirella Amalia Mostoni
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2006
Supervisor
Committee
Dias Filho, Geraldo de Souza (President)
Santos, Fabio Lopes de Souza
Tavares, Monica Baptista Sampaio
Title in Portuguese
Conhece-te a ti mesmo
Keywords in Portuguese
Beleza
Monotipia
Objeto
Oráculo
Palavra
Recepção
Abstract in Portuguese
Os objetos artísticos do Conhece-te a ti mesmo apresentam-se como oráculos, assumindo na poética e na relação estabelecida com o espectador as conexões de sentido pertencentes a esse termo e a essa condição. Na parte dissertativa é primeiro apresentada uma investigação sobre o processo criativo desses objetos, os métodos heurísticos utilizados, as influências recebidas e as afinidades com outros trabalhos artísticos. Num segundo momento estuda-se como a metáfora oracular e os procedimentos utilizados na elaboração dos trabalhos podem situar-se nas questões contemporâneas da recepção. Na terceira etapa da dissertação reflete-se sobre as semelhanças da poética proposta com o conceito de arte exposto por Nietzsche no texto O Nascimento da Tragédia, as influências dessa obra na gênese da poética e as conseqüências dessa escolha para a recepção e o processo de criação.
Title in English
Conhece-te a ti mesmo
Keywords in English
Beleza
Monotipia
Objeto
Oráculo
Palavra
Recepção
Abstract in English
The artistic object of Know Thyself present themselves as oracles, assuming in the poetical and the relation estabilished with spectator connections of meaning pertaining to this term and this condition. In the dissertation part, first is presented an inquiry on creative process of these objects, the heuristic methods used, the received influences and the affinities with other artistic work. In a second moment, Formulate Thyself, is studied how the oracular metaphor and the procedures used in elaboration of these work may be take place in contemporaries questions about reception. In the third chapter is reflected on the similarities of the poetical proposal with the concept of art displayed by Nietzsche in Birth of Tragedy, the influences of this text on the genesis of poetical and the consequences of this choice for reception and process of creation.
 
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Publishing Date
2009-09-03
 
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