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Master's Dissertation
DOI
10.11606/D.16.2009.tde-24032010-105200
Document
Author
Full name
Monica Silvia Gosso Mardegan
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2009
Supervisor
Committee
Farias, Agnaldo Aricê Caldas (President)
Salvi, Ana Elena
Silva, Fernanda Fernandes da
Title in Portuguese
A apropriação crítica da arquitetura e urbanismo modernos através da linguagem cinematográfica: Playtime, 1967, de Jacques Tati
Keywords in Portuguese
Arquitetura
Cidades
Cinema
Comédia
Planejamento territorial urbano
Tati Jacques
Abstract in Portuguese
A relação do cinema com outras linguagens e outras artes tem despertado grande interesse em novos trabalhos de pesquisa no âmbito da pós-graduação, e se insere no interior de uma pluralidade de posturas de investigação adotadas a partir dos anos 1980 acerca do espaço fílmico. Partindo da relação entre arquitetura/urbanismo e cinema, este trabalho se constitui numa interação de linguagens dinâmicas, tomando por princípio a polissemia dos interesses estéticos e das formas artísticas atuais. A escolha de nosso objeto de pesquisa, Playtime (Tempo de diversão, 1967) do cineasta Jacques Tati (1907-1982) nasceu do interesse em tratar uma questão central na experiência do cinema francês, qual seja seu diálogo crítico com a mudança de sensibilidade cultural provocada pela arquitetura e urbanismo modernos. A demanda gerada pela inserção criativa do cinema na reflexão sobre a sociedade e a cultura é correlata a uma vontade de questionar a arquitetura como instância de poder e representação, privilegiando a qualidade de interação entre pessoas e grupos sociais na vida urbana. O foco de análise, ao desvelar a realidade proposta, visa entender a relação entre obra e público numa busca de atualização das discussões entre arte e sociedade.
Title in English
A critical appropriation of modern architecture and urbanism through cinematographic language: Playtime, 1967, by Jacques Tati
Keywords in English
Architecture
Cinema
Cities
Comedy
Territorial urban planning
Abstract in English
The relation between cinema and other forms of expression, as well as other kinds of art, has raised great interest among academic research, especially post-graduation studies, as part of a variety of investigative approaches to the subject of filmmaking from the 1980s onwards. Based on the relation between architecture/urbanism and cinema, this work focuses on the interaction of dynamic forms of expression, taking into account the polysemic context under which aesthetic interests and artistic forms operate. The choice of the object of study, the film Playtime (Tempo de diversão, 1967) by French filmmaker Jacques Tati (1907-1982), was due to address a central issue in the French cinema experience, namely its critical view in the dialogue with the cultural sensitivity changes caused by modern architecture and urbanism. Cinema became an important topic in the discussion of society and culture, as a means to question the role of architecture as an instance of power and representation, as opposed to the quality of interaction between individuals and social groups in urban life. The focus of the analysis, by uncovering the proposed truth of the film, aims to understand the relation between work and audience in a search for renewing the discussion of art and society.
 
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MARDEGAN_playtime.pdf (66.78 Mbytes)
Publishing Date
2010-09-23
 
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