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Master's Dissertation
DOI
10.11606/D.16.2013.tde-05072013-114121
Document
Author
Full name
Paulo Kiyoshi Abreu Miyada
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Farias, Agnaldo Aricê Caldas (President)
Barros, Luiz Antonio Recaman
Cabral, Cláudia Piantá Costa
Title in Portuguese
Supersuperfícies: New Babylon (Constant Nieuwenhuys e Internacional Situacionista, 1958-74) e Gli Atti Fondamentali (Superstudio, 1972-73). O pensamento utópico como parte da cultura arquitetônica no pós-guerra europeu
Keywords in Portuguese
Anos 60
Arquitetura
Constant
História da arquitetura
Internacional Situacionista
New Babylon
Superstudio
Urbanismo
Utopia
Abstract in Portuguese
A presente dissertação tem como objeto o conteúdo utópico de dois projetos produzidos entre 1958 e 1974: New Babylon (Constant Nieuwenhuys e Internacional Situacionista, 1956-74) e Gli Atti Fondamentali (Superstudio, 1972-73). A investigação considera o debate político e cultural da época para organizar um quadro de comparativo. Aproximados e colocados à luz da discussão contemporânea sobre utopia, esses projetos revelam-se como iniciativas especulativas e críticas, estruturadas a partir da proposição de modelos espaciais e sociais. Tratam-se de ideais urbanos que respondem a transformações fundamentais no paradigma da urbanização no pós-guerra europeu. Ambos compartilham almejam um modelo urbano no qual infraestruturas automatizadas proveem recursos abundantes à uma sociedade liberada do trabalho e da propriedade privada.
Title in English
Supersurfaces: New Babylon (Constant Nieuwenhuys and Situationist Internacional, 1958-74) and Gli Atti Fondamentali (Superstudio, 1972-73). Utopian tought inside architectural culture during the post-war years
Keywords in English
Architectural history
Architecture
Constant
New Babylon
Situationist Internacional
Sixties
Superstudio
Urbanism
Utopia
Abstract in English
The object of the present dissertation is the utopian content of two projects developed from 1958 to 1974: New Babylon (Constant Nieuwenhuys and Situationist Internacional, 1956-74) and Gli Atti Fondamentali (Superstudio, 1972-73). This research considers the cultural and political debate contemporary to that time as a parameter for organizing a comparative scheme. To the light of a contemporary discussion of utopia, these projects reveal themselves as critical and speculative enterprises based on proposing spatial and social models for the future. They consist of urban ideals that relate with fundamental changes of the urbanization paradigm during the post-war years. Both yearn for an urban model in which automate infrastructures homogeneously provide abundant resources to a society that is free from both labor and private property.
 
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paulo_miyada.pdf (4.92 Mbytes)
Publishing Date
2013-07-10
 
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