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Master's Dissertation
DOI
https://doi.org/10.11606/D.100.2020.tde-14072020-141854
Document
Author
Full name
Mailson Vieira de Oliveira
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2020
Supervisor
Committee
Siqueira, Rogério Monteiro de (President)
Eugênio, Marcos Francisco Napolitano de
Reimão, Sandra Lucia Amaral de Assis
Reis Junior, Antonio
Title in Portuguese
Pornochanchada: crítica, gênero e distinção cultural nos anos 1970
Keywords in Portuguese
Censura
Cinema brasileiro
Crítica
Ditadura Militar
Gênero
Imprensa
Pornochanchada
Abstract in Portuguese
Este trabalho tem por objeto a pornochanchada ao longo dos anos 1970. Nele, procura-se descrever as condições de seu aparecimento e da sua conformação como gênero fílmico. Para tanto, estudou-se, sobretudo em São Paulo, o circuito de sua produção, exibição e recepção tendo como fontes testemunhos de época, material de propaganda como cartazes e releases, anúncios e críticas publicadas em jornais, reações de seu público e de censores que constam em pareceres de então. Assim, pretende-se compreender como a pornochanchada foi construída como categoria de percepção, a partir dos olhares de diversos atores sociais inseridos nesse campo, bem como entender como seu conceito se instrumentalizou no âmbito da crítica, convertendo-se em estratégia de distinção cultural. Ao final, como estudo de caso, analisou-se o filme História que nossas babás não contavam, de 1979, produzido por Aníbal Massaini Neto e dirigido por Oswaldo de Oliveira
Title in English
Pornochanchada: criticism, gender and cultural distinction in the 1970s
Keywords in English
Brazilian Cinema
Censorship
Criticism
Genre
Military dictatorship
Pornochanchada
Abstract in English
This work has the object of pornochanchada throughout the 1970s. It seeks to describe the conditions of its appearance and its conformation as a film genre. To this end, it was studied, especially in São Paulo, the circuit of its production, exhibition and reception having as sources testimonies of the time, advertising material such as posters and releases, advertisements and criticisms published in newspapers, reactions from its audience and censors that appear in opinions of that time. Thus, it is intended to understand how pornochanchada was constructed as a category of perception, from the views of various social actors in this field, as well as to understand how its concept became instrumental in the scope of criticism, becoming a strategy of cultural distinction. In the end, as a case study, we analyzed the film Histórias que nossas babás não contavam, from 1979, produced by Aníbal Massaini Neto and directed by Oswaldo de Oliveira
 
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Publishing Date
2021-06-23
 
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