Contemporary art teaching

The importance of immateriality in Maliévitch and the post-suprematist look at R...

The experimental meanings of Domingos da Criação

Tearing movements: traces of the reflective body in William J. O'Neill Daunt's d...

The weaving of cinematographic image in Andrea Tonaccis Serras da Desordem

A look at time, desire and invention: bricolage and unthinkings in aesthetic fru...

Corporality in Brazilian contemporary art: the sensitivities unveiled

Youth and Contemporary Art: vagueness and wandering in nine works and two exhibitions...

Contemporary Artisan-Artists: D. Izabel Mendes da Cunha and the legacy left to the...

Contemporary Art as historical research: the production of Cildo Meireles