Pintura italiana do entreguerras nas Coleções Matarazzo e as origens do acervo do antigo MAM: arte e crítica de arte entre itália e Brasil

Magalhães, Ana Gonçalves

doi:10.11606/T.32.2015.tde-22052015-132206

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Habilitation Thesis

DOI

https://doi.org/10.11606/T.32.2015.tde-22052015-132206

Document

Habilitation Thesis

Author

Magalhães, Ana Gonçalves (Catálogo USP)

Full name

Ana Gonçalves Magalhães

E-mail

Institute/School/College

Museu de Arte Contemporânea

Knowledge Area

História da Arte

Date of Defense

2015-02-02

Published

São Paulo, 2015

Committee

Fabris, Annateresa (President)
Chiarelli, Domingos Tadeu
Costa, Helouise Lima
Freire, Maria Cristina Machado
Marques Filho, Luiz Cesar

Title in Portuguese

Pintura italiana do entreguerras nas Coleções Matarazzo e as origens do acervo do antigo MAM: arte e crítica de arte entre itália e Brasil

Keywords in Portuguese

Arte moderna
Brasil
Itália
Pintura

Abstract in Portuguese

Análise das 71 pinturas italianas adquiridas por Ciccillo Matarazzo e Yolanda Penteado para o núcleo inicial do acervo do antigo MAM de São Paulo, considerando-se a atuação da crítica de arte italiana Marguerita Sarfatti (1880-1961) na América do Sul, e suas relações com o meio artístico local.

Title in English

Italian paintign of the interwar period in the Matarazzo Collections, and the origins of the collection of the former MAM: Art and art criticism between Italy and Brazil.

Keywords in English

Brazil
Italy
Modern Art
Painting

Abstract in English

Study of the 71 italian paintings acquired by Ciccilo Matarazzo and Yolanda Penteado for the primary nucleus of the collection of the former MAM São Paulo, mainly taking into consideration the activities of italian art critic Margherita Sarfatti (1880-1961) in South America, and her connections with the local artistic milieu.

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Publishing Date

2015-05-22

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