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Master's Dissertation
Document
Author
Full name
Anna Luisa Veliago Costa
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2019
Supervisor
Committee
Aranha, Carmen Sylvia Guimaraes (President)
Alves, Cauê
Iavelberg, Rosa
Leite, Edson Roberto
Title in Portuguese
Os sentidos experimentais dos Domingos da Criação
Keywords in Portuguese
Arte brasileira (1960-1970)
Arte e educação
Arte e política
Domingos da Criação
Frederico Morais
Museus
Abstract in Portuguese
O presente estudo aborda os Domingos da Criação, encontros de inventividade coletiva, situados entre os campos da arte e da educação. Articuladas pelo crítico de arte Frederico Morais, em parceria com artistas experimentais, essas manifestações ocorreram no espaço externo do Museu de Arte Moderna do Rio de Janeiro, em 1971. Nesta investigação, situaremos esses encontros diante de indagações contemporâneas. Pretendemos, desse modo, construir interpretações que articulem condições históricas à categorias estéticas. Tomaremos como ponto de partida as formulações de Frederico Morais e aspectos da produção artística entre os anos 1960 e 1970. Procurando, por fim, produzir uma leitura dos sentidos experimentais desses seis dias, que contemple relações entre estética e política, arte e educação; expondo a atualidade dessas experiências.
Title in English
The experimental meanings of Domingos da Criação
Keywords in English
Art and education
Art and politics
Brazilian art (1960-1970)
Domingos da Criação
Frederico Morais
Museums
Abstract in English
This study concerns the Domingos da Criação, meetings of collective inventiveness situated in the fields of art and education. Organized by the art critic Frederico Morais, together with experimental artists, the meetings took place in the outdoor area of the Museum of Modern Art of Rio de Janeiro, in 1971. Here we will relate these meetings to contemporary inquiries. We intend to thus interpret these events considering historical conditions and aesthetic categories. We will depart from Frederico Moraiss formulations and the artistic production in Brazil between 1960 and 1970. We aim, at last, to present our view on the experimental meanings of these six days, taking into account the relations between aesthetics and politics, art and education; exposing the contemporary character of these experiences.
 
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Publishing Date
2019-06-12
 
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