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Doctoral Thesis
DOI
https://doi.org/10.11606/T.8.2006.tde-21082007-151253
Document
Author
Full name
Celisa Carolina Alvares Marinho
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2006
Supervisor
Committee
Mendes, Maria dos Prazeres Santos (President)
Camilo, Vagner
Gregorin Filho, Jose Nicolau
Oliveira, Maria Rosa Duarte de
Paulino, Maria das Graças Rodrigues
Title in Portuguese
Contribuições para uma poética do maravilhoso: um estudo comparativo entre a narratividade literária e cinematográfica
Keywords in Portuguese
Cinema e Literatura
Conexões
Maravilhoso
Abstract in Portuguese
Esta pesquisa tem como objetivo estudar o maravilhoso, enquanto um gênero narrativo, e propõe uma investigação comparativa entre a literatura e o cinema. O recorte estabelecido ficou circunscrito ao gênero dos contos maravilhosos , privilegiando a estória de A Bela e a Fera em algumas de suas variantes, comparadas à sua matriz Eros e Psique. Quanto ao cinema foi escolhido o gênero da ficção científica, elegendo o filme Matrix I como objeto de análise, apontando sua convergência estrutural com os contos, baseada na teoria de Vladimir Propp. O problema proposto foi o de encontrar possíveis elos de ligação entre a literatura milenar dos contos e o cinema moderno.Ou seja, Como o cinema - em alguns de seus gêneros- pode se conectar com o maravilhoso na literatura?
Title in English
The "wonderful" as a narrative gender: a comparative investigation between literature and cinema
Keywords in English
Connections
Literature and cinema
Wonderful
Abstract in English
The purpose of this research is to study the "wonderful" as a narrative gender , and to propose a comparative investigation between literature and cinema. The cutout established has been limited ( circumscribed ) to the gender of the wonder tales favoring the story of the Beauty and the Beast in some of its variatios ( alternatives ), compared to its source Eros and Psyche . With regard to cinema the gender of science fiction has been chosen , selecting ( choosing ) the film Matrix 1 as the object of analysis , pointing out its structural convergence with the tales , based on the theory of Vladimir Propp.
 
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Publishing Date
2007-10-02
 
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