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Master's Dissertation
DOI
https://doi.org/10.11606/D.8.2013.tde-13032014-125652
Document
Author
Full name
Ana Carolina Correa Guimarães Neves
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Franco, Marcia Maria de Arruda (President)
Hasegawa, Alexandre Pinheiro
Hue, Sheila Moura
Title in Portuguese
Presença das Heroides de Ovídio no Cancioneiro Geral de Garcia de Resende
Keywords in Portuguese
Cancioneiro geral
Heroides
Imitação
Ovídio
Tradução
Abstract in Portuguese
A poesia de João Rodriguez de Sá de Meneses e João Rodriguez de Lucena preservadas no Cancioneiro Geral de Garcia de Resende colocou em evidência a presença da cultura clássica tão constante no imaginário quinhentista português. Esses poetas fizeram traduções de algumas das famosas epístolas de heroínas míticas como Penélope, Enone, Laudâmia e Dido , aos seus amados ausentes. Esse conjunto de cartas é conhecido como Heroides, do poeta romano Ovídio, poeta elegíaco que foi responsável, entre outras coisas, por ter servido de modelo para muito do que se produziu depois na Idade Média e Renascimento. A Imitação e a Tradução eram mecanismos frequentes naquela época e foram usadas com maestria nas traduções desses poetas do Cancioneiro. O porquê da escolha de determinadas cartas e não de todas também é relevante, já que se tratava do momento das navegações e, portanto, necessitava-se acalmar o coração das damas que permaneceram em terras lusitanas à espera de seus amados ausentes. E ainda, propor a elas um modelo de comportamento.
Title in English
The presence of the Heroides of Ovid in Garcia de Resende's General Songbook
Keywords in English
General songbook
Heroides
Imitation
Ovid
Translation
Abstract in English
The poetry of João Rodriguez de Sá de Meneses and João Rodriguez de Lucena preserved in Garcia de Resendes Cancioneiro Geral puts in evidence the presence of the classical culture so constant at the cinquecentist Portuguese imaginary. These poets translated some of the famous epistles of mythical heroines - like Penelope, Oenone, Dido and Laodomia -, to their loved missing ones. This set of epistles are known as Heroides, from Ovid, the elegiac Roman poet who was responsible, among other things, to have served as a model for much of what was produced after in the Middle Age and Renaissance. Imitation and Translation were recurrent mechanisms at that time and were employed with propriety at the translations of those poets of the Cancioneiro. The reason why those determinate epistles were chosen and not all of them is also relevant, because it was the moment of navigation so, therefore, was necessary pacify the hearts of the ladies that stayed in Portuguese lands waiting for their lovers. And still, propose a model of conduct to those ladies.
 
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Publishing Date
2014-03-13
 
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