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Doctoral Thesis
DOI
https://doi.org/10.11606/T.8.2016.tde-10032016-130725
Document
Author
Full name
Regina Marcia Bordallo de Mesquita
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Eugênio, Marcos Francisco Napolitano de (President)
Cardoso, Mauricio
Poletto, Fábio Guilherme
Rago Filho, Antonio
Santos, Daniela Vieira dos
Title in Portuguese
Da bossa à barricada? Engajamento político e mercado na carreira de Geraldo Vandré (1961-1968)
Keywords in Portuguese
Canção popular
Luta armada
Mercado fonográfico
Música brasileira
Música popular
Regime militar
Abstract in Portuguese
Este trabalho teve por objetivo analisar, a partir do estudo da trajetória musical de Geraldo Vandré, no período compreendido entre o surgimento da chamada Bossa Nacionalista na canção popular brasileira e o ano de 1968 - quando da implementação do AI 5 - a mudança de postura de certos setores do campo musical que, acompanhando as transformações ocorridas na conjuntura política do país, paulatinamente vão deixando de lado o caráter inicialmente denunciativo da bossa engajada para ingressar na luta de resistência ao regime militar. Durante este processo, foi possível observar as imbricadas relações entre a construção de um projeto estético ideológico de esquerda e a necessária ligação com o mercado fonográfico e de entretenimento, assim como o entrecruzamento com setores envolvidos com a luta armada contra o governo.
Title in English
Da Bossa à barricada? Political engagement and market Geraldo Vandré Career (1961-1968)
Keywords in English
Armed struggle
Brazilian music
Military regime
Phonographic market
Popular music
Popular song
Abstract in English
This paper had the aim of analyzing throughout the study of Geraldo Vandrés career compromised in a period between the appearance of Bossa Nacionalista in Brazilian popular song and 1968-during the AI 5 implementation- the different behavior in certain sections of the musical field that following the changes in the countrys political context leaves behind the initial bossas criticizing tone to engage in resistance with the military regime. In this process, it was possible to observe the interlinking relations between the construction of an ideological esthetic Right-wing project and the necessary connection with the entertainment and phonographic market, likewise the intersection with evolved sections with the armed struggle against the military government.
 
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Publishing Date
2016-03-10
 
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