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Doctoral Thesis
DOI
https://doi.org/10.11606/T.8.2019.tde-03102019-160410
Document
Author
Full name
Cibele Saraiva Kunz
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2019
Supervisor
Committee
Repa, Luiz Sergio (President)
Fabbrini, Ricardo Nascimento
Kangussu, Imaculada Maria Guimarães
Melo, Rurion Soares
Title in Portuguese
Arte e utopia em Herbert Marcuse
Keywords in Portuguese
Arte
Herbert Marcuse
Sensibilidade
Transformação social
Utopia
Abstract in Portuguese
Esta tese pretende acompanhar o desenvolvimento da relação entre arte e utopia na obra de Herbert Marcuse. Para tanto, é necessário entender como o autor desenvolve a relação entre sensibilidade e transformação social nos seus escritos estéticos-políticos. É igualmente importante dialogar com autores tradicionais e contemporâneos da filosofia, como Schiller, Mannheim, Bloch e o círculo da teoria crítica da qual Marcuse fez parte. Partindo da ideia de que Marcuse não trata o tema da utopia de forma homogênea em toda sua obra, mas que esta está sempre relacionada com o papel da arte de negação do status quo, e tendo como base a realidade histórica em que seus textos foram escritos, são discutidas as contribuições e limitações da teoria estética marcuseana para o debate filosófico contemporâneo e a possibilidade de denominá-la utópica. Marcuse, como crítico do Marxismo ortodoxo, retoma propostas debatidas por socialistas utópicos como Fourier e, assim como Bloch, é responsável por resgatar a importância da questão da sensibilidade no discurso socialista. Trazer o debate da sensibilidade para o discurso político é um dos grandes legados de Marcuse.
Title in English
Art and Utopia in Herbert Marcuse
Keywords in English
Art
Herbert Marcuse
Sensibility
Social change
Utopia
Abstract in English
This thesis intends to follow the development of the relationship between art and utopia in the work of Herbert Marcuse. Therefore, it is necessary to understand how the author develops the relationship between sensibility and social change in his aesthetic-political writings. It is also important to dialogue with the traditional and contemporary authors of the philosophy, such as Schiller, Mannheim, Bloch and the circle of critical theory of which Marcuse was a part. Considering that Marcuse does not treat the theme of utopia in a consistent manner across his work, but that it is always related to the role of art of negating the status quo, and based on the historical context in which his texts were written, the contributions and limitations of the marcusean aesthetic theory to the contemporary philosophical debate are discussed, as well as the possibility of calling it utopian. Marcuse, as a critic of orthodox Marxism, revisits proposals debated by utopian socialists such as Fourier and, like Bloch, he is responsible for recovering the importance of the issue of sensibility in the socialist discourse. Bringing the debate of sensibility into the political discourse is one of Marcuse's great legacies.
 
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Publishing Date
2019-10-03
 
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