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Master's Dissertation
DOI
https://doi.org/10.11606/D.31.2015.tde-29062015-154225
Document
Author
Full name
Amanda Beraldo Faria
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2015
Supervisor
Committee
Silveira Junior, Walter Garcia da (President)
Dias, Marcia Regina Tosta
Iumatti, Paulo Teixeira
Title in Portuguese
De Amélias e Barracões: a noção de saudade na obra de Ataulfo Alves
Keywords in Portuguese
Alves
Ataulfo
Canção
Música Popular
Samba
Sociologia da Música
Abstract in Portuguese
Observando a importância numérica e a centralidade da temática da saudade na obra de Ataulfo Alves, este trabalho passa por diferentes interpretações acerca do assunto ao analisar as canções que tocam o tema, buscando entender a sua recorrência em conexões com fontes de informações oficiais. Canções consagradas como "Ai, que saudade da Amélia" e outras menos conhecidas do público podem revelar características a respeito da saudade - como sentimento e como categoria social - que explicitam relações inerentes, embora diversas (através do conceito de estruturas de sentimentos), à sociedade carioca de meados do século XX. Portanto, esta pesquisa pretende fazer uma análise da obra de um grande autor que se relaciona com a sociedade e igualmente tenta entender o que a recorrência do tema e da palavra saudade pode estar dizendo nesse contexto. Falar-se- á, aqui, de conflitos de classes e também entre grupos mais específicos. Como metodologia, são utilizados os estudos culturais propostos por Raymond Williams.
Title in English
About Amélias and Slums: notion of "saudade" in the Ataulfo Alves´music
Keywords in English
Alves
Ataulfo
Popular Music
Samba
Sociology of Music
Song
Abstract in English
Noting the quantity and the centrality of the theme of saudade in Ataulfo Alves music, this research cuts across several interpretations about the subject by analyzing the most relevant songs, which are related to the theme. Continuously trying to understand their recurrence through connections with some official information. Acclaimed songs such as "Ai, que saudades da Amélia" and others chansons that are not so popular may reveal characteristics about saudade - such as a feeling and also constituting a social category - that explain inherent relations (even if they are diverse, using the concept of structures of feelings) to the Rio society of the mid- twentieth century. Therefore, this research aims to make an analysis of Atulfos music, which is related to society and tries to understand the recurrence of the theme and the word saudade in this context. We will discuss also class conflicts and some others specifics groups. The methodology is based on cultural studies proposed by Raymond Williams.
 
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Publishing Date
2015-07-23
 
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