• JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
  • JoomlaWorks Simple Image Rotator
 
  Bookmark and Share
 
 
Master's Dissertation
DOI
https://doi.org/10.11606/D.27.2013.tde-12092013-154104
Document
Author
Full name
Damyler Ferreira Cunha
E-mail
Institute/School/College
Knowledge Area
Date of Defense
Published
São Paulo, 2013
Supervisor
Committee
Mendes, Eduardo Simões dos Santos (President)
Miranda, Suzana Reck
Soares, Rosana de Lima
Title in Portuguese
O som e as suas dimensões concretas e subjetivas nos filmes de Lucrecia Martel
Keywords in Portuguese
escuta acusmática
Esquecimento
Poética de Lucrecia Martel
Abstract in Portuguese
A dissertação é dividida em duas partes. A primeira consiste em um estudo sobre a noção de escuta acusmáticano cinema, levando em conta suas origens eletroacústicas e algumas de suas aplicações na ecologia acústica e na teoria cinematográfica. O enfoque privilegia as definições formuladas pelos teóricos, Pierre Schaeffer nos anos 50, Murray Schafer nos anos 70 e Michel Chion entre os anos 80 a 2000. A segunda parte da dissertação, mais fincada na análise fílmica, aborda alguns elementos da poética de Lucrecia Martel, dentre eles apontamos o uso do som para representação do tempo e de figurações do corpo. Designamos um conjunto de estados sensoriais e do pensamento como a fadiga, o cansaço, o esgotamento, o esquecimento e a inércia que ocupam um ponto importante em relação às análises dos filmes de Lucrecia Martel, apontadas por alguns críticos do cinema argentino.
Title in English
Sound and its concrete and subjective dimensions in Lucrecia Martel's films
Keywords in English
Acousmatic listening
Forgetfulness
Lucrecia Martel's poetics
Abstract in English
The thesis is divided in two parts. The first one investigates the concept of acousmatic listening as applied to film practice, taking into account its eletroacoustic origins and some of its extensions to film theory and acoustic ecology. The approach privileges the definitions presented by theorists Pierre Schaeffer in the 1950s, Murray Schafer in the 70s and Michel Chion from the 80's to 2000. The second part, concentrated on film analysis, discusses some elements of Lucrecia Martel poetics, among which the use of sound is pointed out for representations of time and body figurations. A set of sensorial and thought states is designated, including fatigue, tiredness, exhaustion, forgetfulness and inertia, that play an important role regarding the analysis of Lucrecia Martel's films, as pointed out by some critics of the new Argentinean cinema.
 
WARNING - Viewing this document is conditioned on your acceptance of the following terms of use:
This document is only for private use for research and teaching activities. Reproduction for commercial use is forbidden. This rights cover the whole data about this document as well as its contents. Any uses or copies of this document in whole or in part must include the author's name.
Publishing Date
2013-09-13
 
WARNING: Learn what derived works are clicking here.
All rights of the thesis/dissertation are from the authors
CeTI-SC/STI
Digital Library of Theses and Dissertations of USP. Copyright © 2001-2024. All rights reserved.